Tomás Tomás is a young yuppie playboy with a string of discarded girlfriends. But when Silvia, the victim of one of his adventures, tries to get revenge by typing "positive" on his AIDS test, Tomás experiences for the first time the realities of love and death.
Lloyd, an eternal optimist, seeks to capture the heart of Diane, an unattainable high school beauty and straight-A student. He surprises just about everyone-including himself-when she returns the sentiment. But Diane's over-possessive, divorced Dad disapproves and it's going to take more than just the power of love to conquer all.
When a young boy makes a wish at a carnival machine to be big—he wakes up the following morning to find that it has been granted and his body has grown older overnight. But he is still the same 13-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups including getting a job and having his first romantic encounter with a woman.
In this enchantingly cracked fairy tale, the beautiful Princess Buttercup and the dashing Westley must overcome staggering odds to find happiness amid six-fingered swordsmen, murderous princes, Sicilians and rodents of unusual size. But even death can't stop these true lovebirds from triumphing.
In the years before the Second World War, a tomboyish postulant at an Austrian abbey is hired as a governess in the home of a widowed naval captain with seven children, and brings a new love of life and music into the home.
After the success of the live 1957 Cinderella on CBS (with Julie Andrews), the network decided to produce another television version. The new script hewed closer to the traditional tale, although nearly all of the original songs were retained and performed in their original settings. Added to the Rodgers and Hammerstein score was "Loneliness of Evening", which had been composed for South Pacific but not used.