The fourth night of the World Tag League 2025 heavyweight tag team tournament took place on November 25, 2025, at Big Palette Fukushima in Kōriyama, Fukushima, Japan.
Kaoru, who works at a cross-dressing cafe, is suddenly left without a place to live when his fiancé, Hayashitaro, who shows no understanding of Kaoru's hobby, announces that he wants to end their cohabitation. With no money and nowhere to go, Kaoru is saved by a shared house introduced to her by her colleague, Ruri. There she finds out that Yasumichi is living there, having escaped from his wife's constraints that "men should be strong." The two awkwardly begin to grow closer. (R15+ version premiered at the OP PICTURES+ Festival 2025).
Benjamin is trying to raise money through informal exchanges so that he can organize his son’s overdue birthday. Filimone is visiting his family between war missions, trying to be present at the growth of his three daughters. Eulália is a mother of six and gives birth to a new premature baby. Some days after, she has to come back to her job in a landfill.
Puts into practice a radical Godardian proposition: the screening of his Made in USA (1966) and 2 ou 3 choses que je sais d’elle (Two or Three Things I Know About Her, 1966) as a single work, with their reels and narratives intertwined. In 1967, having set aside the idea of adapting The Wild Palms, Godard proposed instead projecting his two very different most recent features, which he had shot back-to-back for separate producers, as an integrated work. As Richard Roud reported, what Godard wanted was to have them shown together, ‘first a reel of Made in USA, then a reel of Two or Three Things I Know About Her, then a reel of Made in USA, etc., just as Faulkner mixed two stories in The Wild Palms. That would be his adaptation of the novel.’
It starts, predictably, with the benign. An interview, a celebrity with effortless charm, a designer bag, and the familiar ritual of personal revelation in this “inside look” series – shallow as it is invasive. The host’s expectation for sanitized intimacy is soon subverted, as a polished, white smile transforms into something far more dangerous. With a jarring laugh, the actress removes not a lip gloss, nor a compact, but an ASP baton. She laughs, still performing for the camera, then strikes the host violently. This isn’t merely a shock. It’s a coup, an overthrow of the modern internet theater’s safe spaces and a descent into total rupture. The viewer is helplessly ensnared in the chaos, a witness unable to turn away.
"Hiko" follows the story of an 11-year-old boy, Hiko, who runs away during a neighborhood festival after a disagreement with his mother over refusing to wear makeup. He stumbles upon a mysterious circus tent, where an unexpected encounter challenges his understanding of himself. This magical adventure compels him to confront personal choices and explore the expression of his own identity.
When aspiring "ghost" hunters Dylan and Theo enter a supposedly haunted house, they find their friendship tested and their beliefs differ with reality.
After being steeped in Chinese traditional culture for 30 years, CHEN went to Paris in 1984. The different cultural environments of China and France enabled him to grow into a unique figure in the field of classical music. CHEN neither seeks approval from the West, not even his advisor Olivier Messiaen, nor caters to China. Instead, he uses his personal musical language to tell Eastern stories.