Maybe it wouldn't, but we didn't even try. Boško Obradović, dentist for children and youth from Pula, was one of those who recorded reality, warned of what was to come and knew that the past would always be manipulated. Almost 40 years ago, he wrote atomic verses, which we have been living for the past four decades, but still today. And every time, when hope was created, we would fail to find shelter... From the same mistakes and the same stumbles. Boško and others like him were neither prophets nor visionaries, but they knew what was coming after... After hellish drivers, new careerists, the third world war. In vain, he urged his own, but also all future generations not to whine. "Made in Pula", by Rada Đurić, is a film that reminds and believes. He owes it to all those who do not give up.
Newfoundland violin and piano classical team Duo Concertante perform a moving piece by Dawn Avery, and director Nicola Hawkins accompanies with striking mixed media imagery.
Relax and unwind with this cozy slow-motion video of a crackling fireplace. The soothing sounds of the fire are accompanied by calming lofi beats that will help you destress and find peace. Perfect for studying, reading or just taking a moment.
Bounce along with this collection of education songs from Bounce Patrol. Learn counting, alphabet phonics, colors, and even animal sounds! Features "Colours Everywhere", "Ball Pit Party", "Alphabet Animals" and more.
Bob James made his name in fusion and smooth jazz, but some of us believe the pianist’s acoustic trio records represent his highest art. His 1996 album Straight Up, with bassist Christian McBride and drummer Brian Blade, and 2004’s Take It from the Top, with bassist James Genus and drummer Billy Kilson, are career highlights and gems of their genre. Those records will never escape the shadow of 1978’s Touchdown or 1975’s One, but now James gives us the best of both worlds, revisiting his biggest hits in a trio format and tossing in other tunes. Despite its title, Feel Like Making LIVE! isn’t a concert recording. It was recorded “live in the studio” with old pal Kilson and young bassist Michael Palazzolo, who’s been in James’ bands for several years now. Rather than swing like a bop trio, they play classy, R&B- and pop-tinged jazz that’s both accessible and adventurous.
The world's largest classical music event. A blend of tradition and modernity, the 2022 edition of the New Year's Concert welcomes Daniel Barenboim to conduct one of the greatest orchestras in the world, the Vienna Philharmonic.
"Ciao, 2021!" - New Year's edition of the Evening Urgant program, aired on Channel One on January 1, 2022. The release parodies the festive concerts of the Italian pop music of the 1980s and the tradition of the Soviet and then Russian "Blue Lights". All participants in the program - presenters and performers - have stylized Italian names and pseudonyms. Communication takes place in Italian and is accompanied by Russian subtitles.
Poppin'Party, Roselia, and RAISE A SUILEN's successful concert at the Budokan has passed. Kasumi and the others, who have left a lingering sound on the stage of their dreams, are approached by a mysterious woman. Their next stage is overseas?! Poppin'Party's music isn't stopping yet!
In this New Year’s Day performance, Laurent Pelly’s storybook staging of Massenet’s Cendrillon, a hit of the 2017–18 season, is presented with an all-new English translation in an abridged 90-minute adaptation, with mezzo-soprano Isabel Leonard as its rags-to-riches princess. Maestro Emmanuel Villaume leads a delightful cast, which includes mezzo-soprano Emily D’Angelo as Cinderella’s Prince Charming, soprano Jessica Pratt as her Fairy Godmother, and mezzo-soprano Stephanie Blythe and bass-baritone Laurent Naouri as her feuding guardians. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.
A man is trapped in his own mindset fortress. He is lost and desires to find his way out using his self-strength and understanding instead of the evidence given by the “mysterious being”. He is pulled back and forced to start the same loop in different mindsets when he ignores the evidence. After several warnings and falls, he finally frees himself from the isolated fortress and perhaps enters another fortress.