The year is 2077. Society has collapsed. There are no cities, no guns. Just wanderers trying to survive. Nora and Daphine live an idyllic life alone and in love, far away from the drug-fueled, misogynistic communes that have trapped so many others. But when a male stranger arrives, their utopian existence takes a dark turn. Directed by Amanda Milius.
Four outlaws with a bounty on each head, set a date for a shootout in Langston, Oklahoma. The last man takes the collective bounty. Violence and mayhem ensue.
A young cowboy, Johnny, playing in a rigged poker game is forced to shoot one of the other players. The cowboy takes quick leave as he is accused of murder and a reward for his capture is posted. After being wounded, he finds refuge on a ranch and becomes involved with the family. While he is away, a gang of Mexicans kills the McGowan family except for Sally, who manages to escape and find Johnny who is now out for revenge.
Hoppy and his pals arrive in a remote town to investigate the counterfeiting of both U.S. and Mexican money; his only clues are the name "Mordigan" and a drawing of a comet. He quickly finds out that Mordigan is the town "boss"; but what or who is "the comet", and why are Mordigan and his henchmen intent on persecuting a young woman, her drunken brother, and her deathly ill sister-in-law who've also just arrived in town?
At the end of the Civil War, a Confederate team is ordered to rob a Union payroll train but the war ends leaving these men with their Union loot, until the Feds come looking for it.
In one of his better early Westerns, Tim Holt, as Deputy Marshal Larry Durant, is sent to Spencerville where a gang of vigilantes has been terrorizing the citizenry. Going undercover as a gunsmith, Larry quickly learns that the leader of the vigilantes, John Spencer (John Elliott), is an honest man who only seeks to establish law and order. The real brains behind the crimes, meanwhile, are revealed to be Spencer's brother-in-law, Lou Harmon (Roy Barcroft), and his chief henchman, Leighton (Charles King), who speculate in the coming of the railroad by forcing the townspeople to relinquish their land.
When Comanches go on the warpath, settlers take refuge in Ft. Eagle Rock commanded by Capt. Jackson. Undercover agent Cliff McPherson arrives at the undermanned fort to lend advice and support. He learns that the Comanches have been stirred up by local rancher Morton who wants to take control of the oil under the Indians' reservation.
At the end of the Civil War, a major shipment of Union gold has been stolen and buried in the desert. Only one man knows the whereabouts of gold and the US Army sends captain Matt Martin to arrest him and come back with the gold. Martin, his prisoner and a handful of men enter Indian territory in search of the precious cargo. The Apaches, outlaws and storms will make it difficult.
A couple of Confederate soldiers, returning home from the Civil War, find Texas transformed into an armed camp with a quasi-dictator gathering up land and power as fast as he can. The two former Rebels take on this despot each in his own way.
A cowboy begins to do such un-cowboylike things as dressing up and taking baths in order to impress a pretty young girl. He sees that a citified "dandy" is also after the girl, and the dude seems to be scoring some points with his "civilized" demeanor.
By the turn of the 20th century, Butch Cassidy, the Sundance Kid, Billy the Kid and virtually all of the West's legendary outlaws are either dead or in jail pending execution. Well, all, except train robber and escape artist extraordinaire, Harry Tracy. As the last survivor of the Wild Bunch, Tracy pulls off a series of profitable robberies before making his way west to Portland, Oregon, in search of Catherine Tuttle -- a judge's daughter who has captured his heart. But on the way, Tracy is betrayed, arrested, and imprisoned. However, no jail can hold him for long and after making his escape, Tracy becomes the target of the largest manhunt in the history of North America.
Set at the beginning of the Civil War, Tap Roots is all about a county in Mississippi which chooses to secede from the state rather than enter the conflict. The county is protected from the Confederacy by an abolitionist and a Native American gentleman. The abolitionist's daughter is courted by a powerful newspaper publisher when her fiance, a confederate officer, elopes with the girl's sister. The daughter at first resists the publisher's attentions, but turns to him for aid when her ex-fiance plans to capture the seceding county on behalf of the South.