In a deconstruction of classic Hollywood codes, using repetitive single frame images, the re-editing of teenager movies produces an intense Oedipal drama.
“Majo” Tonorio, a.k.a. Filly Brown, is a raw, young Los Angeles hip-hop artist who spits from the heart. When a sleazy record producer offers her a crack at rap stardom, Majo faces some daunting choices. With an incarcerated mother, a record contract could be the ticket out for her struggling family. But taking the deal means selling out her talent and the true friends who helped her to the cusp of success.
Cleo Borden grew up in a saloon, loves the men—and the men love her—but her aspirations lead her to enter into a contract to marry a wealthy man. When he dies and leaves her all of his fortune, she soon learns that although she has money, she is not yet a lady, so she embarks on a journey to become one. She has no desire to change herself, but the man she sets her sights on does—so she obliges.
Profile of musician Nick Drake, who was only 26 when he died in 1974 but whose three albums have been deeply and increasingly influential on the rock and pop world.
Lou Reed recorded the album Berlin in 1973. It was a commercial failure. Over the next 33 years, he never performed the album live. For five nights in December 2006 at St. Ann's Warehouse Brooklyn, Lou Reed performed his masterwork about love's dark sisters: jealousy, rage and loss.
Three young friends steal some music equipment for their struggling post-punk band and, in a panic, kill the shop’s owner. The film examines, with characteristic restraint and acuity, the psychological fallout as the band unravels—and each of its members grapple with their own feelings of guilt, paranoia, and despair.
Antti "Zombie" Autiomaa does two things well: play the bass guitar and drink. After several months' sleeping on the streets of Istanbul, he returns to Helsinki where he's called into the army but discharged on mental health grounds after adding turpentine to the officers' soup. Zombie lives bleary-eyed in an apartment off his parents' house where his lonely, unemployed father suffers from heart disease. His girl-friend Marjo has taken up with a hairdresser but comes back to Zombie. His friend Harri hires him as a roadie for his band "Harry and the Mulefukkers" then gives him a chance as a bass player. He has his girl and he has a gig, but can Zombie put the bottle down?
Ricky has a dream: to make Staff Benda Bilili the best band in Congo Kinshasa. Roger, a street child, more than ever wants to join these stars of the ghetto, who get around in customized tricycles. Together, they must avoid the pitfalls of the street, stay united and find the force to hope in music. For six years, from the first rehearsals to their triumph in international festivals, BENDA BILILI! (“beyond appearances”) is the story of this dream come reality.
Wild Combination is a visually absorbing portrait of the seminal avant-garde composer, singer-songwriter, cellist, and disco producer Arthur Russell. Before his death in 1992, Arthur prolifically created music that spanned both pop and the transcendent possibilities of abstract art. Now, over fifteen years since his passing, Arthur's work is finally finding its audience. Wolf incorporates rare archival footage and commentary from Arthur's family, friends, and closest collaborators to tell this poignant and important story.
Bill Benson and Ted Adams are to appear in a Broadway show together and, while in Paris, each 'discovers' the perfect leading lady for the plum female role. Each promises the prize role to the girl they selected without informing the other until they head back across the Atlantic by liner - with each man having brought his choice along! It becomes a stormy crossing as each man has to tell his 'find' that she might not get the role after all.
"Jerry Springer: The Opera" tells the story of a day in the job of world famous talk-show host, Jerry Springer. Jerry has to sort out a number of guests problems; including a man who wants to dress up as a baby, a man with 3 lovers (one of them a transexual) and a fat woman who wants to be a pole dancer. However, on this particular day, something out of the ordinary will happen...
Bringing his unique sense of humor to this bizarre and original piece of moviemaking, Tom Waits takes the audience through a musical journey with his jazzy, quirky, bluesy tunes presented as you would never, ever, ever expect.
Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers' collaboration - elaborately staged numbers from their plays, characters' visits to night clubs, and impromptu performances at parties. We also see Larry's scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard's successful wooing of Dorothy Feiner.
Cossetted and bored, Barbara Barry is finally sent off to school by her busy if doting widowed soap manufacturer father. When her nurse is injured en route, Barbara finds herself alone in town, ending up as part of radio song-and-dance act Dolan and Dolan sponsored by a rival soap company.
This is the story loosely based on Cleveland disc jockey Alan Freed, who introduced rock'n'roll to teenage American radio audiences in the 1950s. Freed was a source of great controversy: criticized by conservatives for corrupting youth with the "devil's music"; hated by racists for promoting African American music for white consumption; persecuted by law enforcement officials and finally brought down by the "payola" scandals.
A documentary film about dancing on the screen, from it's orgins after the invention of the movie camera, over the movie musical from the late 20s, 30s, 40s 50s and 60s up to the break dance and the music videos from the 80s.