A love triangle occurs between the publisher's daughter Betty Moody. comic book artist Tim Jones, and the company's wily manipulative manager Hilton Payne. In addition, Betty's dad, Phineas Moody suffers from severe melancholy; and an emergency cure of laughter is required to save his health.
Convinced of her limitless talent, charm, and ability, Rosie sweeps the neighborhood Nutshell Kids into the beam of her private spotlight as they perform in her pretend movie.
Fay Wray plays a beautiful showgirl who falls for a rich Park Avenue guy played by Phillips Holmes. William Powell is a producer in love with Miss Wray, but he won't use his influence to take any advantage... as usual, he's a perfect gentleman.
The first live BD from Die Ärzte features a compilation of four concerts recorded at the Frankfurt Festhalle and the Berlin Waldbühne. This release is rounded out with numerous extras, including highlights from the XX/XY concert at the Dortmund Westfalenhalle and intimate behind-the-scenes footage.
Filmed during the tour for 2004’s Uh Huh Her (and directed by longtime collaborator Mochnacz), Please Leave Quietly intermixes live footage with backstage antics, street scenes, buggered sound checks and impromptu commentary from tour personnel and bandmates. Often interspliced and edited to a near distracting degree, the live performances are riveting, with Polly Jean displaying a venomous allure in her Oz-red high heels and short-skirted dresses.
Schlager fan Dieter still lives with his parents and doesn't really fancy anything: neither women nor regular work. His parents, ideological old hippies, want to restrict Dieter's freedom as little as possible, but they still want to make the love-struck Candy appealing to him. Annoyed by the constant demands, Dieter leaves the house and finds himself in a nightclub. There he meets Petra, who is about to get married to Hilmar, the heir to millions. Petra wants to enjoy one last love affair with Dieter before the wedding. After a passionate kiss, they are both thrown back to 1972. Dieter, who regains consciousness in a shared flat in Berlin, finds out that Petra is in Munich, whereupon he sets off to find her. His journey holds many a bizarre adventure, such as a meeting with his young hippie parents.
The Committee, starring Paul Jones of Manfred Mann fame, is a unique document of Britain in the 1960s. After a very successful run in London’s West End in 1968, viewings of this controversial movie have been few and far between. Stunning black and white camera work by Ian Wilson brings to life this “chilling fable” by Max Steuer, a lecturer (now Reader Emeritus) at the London School of Economics. Avoiding easy answers, The Committee uses a surreal murder to explore the tension and conflict between bureaucracy on one side, and individual freedom on the other. Many films, such as Total Recall, Fahrenheit 451 and Camus’ The Stranger, see the state as ignorant and repressive, and pass over the inevitable weaknesses lying deep in individuals. Drawing on the ideas of R.D. Laing, a psychologically hip state faces an all too human protagonist.
Paramore took the stage at Germany's annual Rock Am Ring Festival for 2013, delivering a hot performance in the sweltering summer heat. They played several songs from their new self-titled album, along with an array of classic tracks.
A cinematic showcase of Ennio Morricone’s masterful concert at Verona's iconic Arena, featuring sweeping orchestral and choral performances of his most beloved film music alongside special guest Dulce Pontes. Directed by Giovanni Morricone, this monumental DVD captures the Maestro at his best.
A large group of children from different countries sail to the Black Sea port, heading for the international pioneer camp "Artek". Two stragglers of foreigners meet local teenagers who arrange a tour of the port for them.
Beneath New York City’s Maritime Hotel, under the paper lanterns and vaulted ceilings of the Japanese-themed Hiro Ballroom, British neo-soul star Corinne Bailey Rae gave her fans a special treat: an intimate performance showcasing her new hit album, The Sea, seven weeks before its release. [S02-E04] I Lost You
Blame It On Cain
interview 1
Dr. Watson, I Presume
Poor Borrowed Dress
A Slow Drag With Josephine
Jimmie Standing In The Rain
interview 2
The Spell That You Cast
That’s Not The Part Of Him You’re Leaving
National Ransom
interview 3
Stations Of The Cross
Sulphur To Sugarcane
Leave My Kitten Alone
In this musical, the second entry in a five-film series, a thrift shop owner sells his business and buys a small time radio station. He begins looking for sponsors. He finds one with a department store owner who will only lend him the money if he will allow his daughter, an aspiring tap-dancer and singer, to perform on the air. This is unfortunate as she is tone-deaf. To compensate, the owner hires a real singer to dub the daughter's voice. The singer and the owner's nephew fall in love and mayhem ensues. Songs include: the Oscar nominated "Who Am I?," "Swing Low Sweet Rhythm," "In The Cool of the Evening," "Make Yourself at Home," "The Swap Shop Song," "The Trading Post," "Sally," "Ramona," "Sweet Sue," "Dinah," "Margie," and "Mary Lou."
Dulcinea seeks an eternal dream of justice, chivalry, protection of the wronged in real, everyday life but all her dreams fail to come true. All men to whom she turns for setting the out-of-joint time right fall short of her expectations because they are too small for the task. She is mocked, exposed and disappointed. So what to do? Somebody has to take Don Quixote's place.
No relation to the 1950 Frank Capra film of the same name, the 1943 Technicolor musical Riding High is a by-the-numbers vehicle for Dorothy Lamour and Dick Powell. Lamour stars as Ann Castle, a former burlesque queen who heads westward to claim her father's silver mine. Powell plays mining engineer Steve Baird, who like Ann has a vested interest in the worked-out mine. With the help of genial counterfeiter Mortimer J. Slocum (Victor Moore), Steve and Ann are able to peddle mining stock, thus saving her from bankruptcy. The stockholders are in a lynching mood when it appears that they've been flim-flammed, but a last minute "miracle" saves the day. Featured in the cast are Paramount stalwarts Cass Daley and Gil Lamb, the former doing her quasi-Martha Raye act and the latter swallowing his harmonica for the millionth time. Production values are excellent and the songs are exuberantly performed; it's only in its hackneyed plot that Riding High slows to a clip-clop.
As dancer Ginny Walker performs on stage, a veiled woman in the audience stands up, accuses Ginny of stealing her husband and then fires a gun at her. After Ginny collapses and is taken to her dressing room, the woman, Julia Westcolt, a friend of Ginny's, dashes backstage, discards her veil, and then congratulates her friend on their successful publicity stunt. When Ginny's press agents, Gus Crane and his son Junior, visit their client backstage, she brags about her feat and chides them for not being more creative in promoting her. Horrified at Ginny's brashness, Junior, a conservative Harvard graduate, chastises her and leaves the room.
The wild and woolly early days of New York -- when it was still known as New Amsterdam -- provide the backdrop for this period musical-comedy. In 1650, Peter Stuyvesant arrives in New Amsterdam to assume his duties as governor. Stuyvesant is hardly the fun-loving type, and one of his first official acts is to call for the death of Brom Broeck, a newspaper publisher well-known for his fearless exposes of police and government corruption. However, Broeck hasn't done anything that would justify the death penalty, so Stuyvesant waits (without much patience) for Broeck to step out of line. Broeck is romancing a beautiful woman named Tina Tienhoven, whose sister Ulda happens to be dating his best friend, Ten Pin. After Stuyvesant's men toss Broeck in jail on a trumped-up charge, Stuyvesant sets his sights on winning Tina's affections.