We are female filmmakers telling a story about women's lives. Our script is based on a popular Rajasthani folktale entitled Dohri Joon or Double Life, compiled by renowned researcher Vijaydan Detha. We chose this story for its powerful feminist vision, coming from a deeply orthodox and patriarchal state like Rajasthan, India.
Javier is a film lover and finally decides to make his own short film; but during the process, he encounters colorful characters within the industry who will change his project into something completely different from his original short film.
A journey through childhood memories brings nostalgia full of pain and love. Nothing is as it was in childhood; only memories roam freely and illuminate in retrospect. The environment and everything of that time has been violently ruined and altered by someone. Seasons have settled in the ruins of troubled memories.
In an effervescing forest, a humanoid creature assimilates with its surroundings to the point of confusing itself with this perpetually transforming reality.
In her attempt to escape her past, Huiju relocated to the UK over 11 months ago. However, even after moving to a new country, she found that her nightmares from Korea continued to haunt her. Determined to move forward, she made the decision to confront her memories head-on in a very contemporary way, using dating apps to push the boundaries she had set due to her sexual trauma.
Some thoughts can only be shared in death. Have something to say to your close ones from your coffin 12 feet under? The funeral crasher is here just for that.
A cartoonist returns to his family home to seek his fortune in Hollywood, where he's plagued by strange visions and revelations of his family's bizarre history with a forgotten cartoon character that could be his ticket to success.
The first feature-length animated film by Japanese stop-motion animator Shunsaku Hayashi, inspired by his experiences after the Great East Japan Earthquake of March 11, 2011.
The child becomes busy when school is over. He secretly follows his friend again today. The child talks about the feelings of his first love: soft or itchy, light or heavy.
In 1943, 10-year-old-Rozina, from her hiding place (a small apartment in the center of the Thessaloniki) decides to write her diary under the fake name Roula Karakotsou. This was her only escape from the Nazis, as she endured 548 days of nameless existence in silence. The viewer experiences her adven- ture through her childish gaze, her narratives, as long as she is hiddden.