In an interview with a humble postman, a mysterious death becomes the focus of his life as he was the first to discover the corpse. His days of innocently delivering letters in the Desert Hills now feel empty without the presence of the Sand Woman, whose death might turn out to be more violent than it seems.
In the land occupied by the sprayers' army, no one has the right to grow any kind of plants, but one day one of the soldiers finds a seed buried deep down in the dust and his curiosity is just the beginning of something extraordinary.
The story starts in a peaceful village, where people are living gratefully together, having fun, greeting and passing lives. Children are playing, running around, laughing loud and enjoying their time. The sudden death of a pigeon is the start of a destruction to all these beauties. Time goes on and people get more and more cruel. An intimate warm space turns into a low quality, black and white world which reminds every spectator of a cheese game.
The adventure of a boy who has used the last water of the world on his way to find water. Dry Nightmare is a work that deals with the terrible problem that water waste will create in the world and in life today, with a different approach. In the movie, our character leaves the water running while brushing his teeth, and this causes him to run out of the last remaining water in the world. This is taken as a metaphor emphasizing how important the effect of water wastage at the individual level is.
The film "Borscht with Preztel" deals with post-Soviet Jewish migration to Germany. The immigration group of the former Soviet Union is the largest in Germany, but in the majority society hardly anything is known about them, instead stereotypes and prejudices are attributed to them, which leaves little space for the real stories of the Soviet immigrants and they remain invisible.
The story is set in a graphic design world where fonts are the main characters. They interact with the environment according to their properties: Bold makes everything thicker, Italic tilts things, Monospace equalizes objects by width, etc. Fonts are assigned to build a garden, and the five boxing wizards jump in quickly to inspect their work. A negative space storm flushes everything away, but Regular comes and fixes the garden.
A journey through a city before and after its destruction. The characters' journey leads to the realization that their union will cause that same destructive eventuality.
Interface: Cruisin' is a mini-film exploring the artists own nostalgia for video games of the 90s while simultaneously queering the narrative, replacing the traditional bikini babe with himself.
Ayala Shoshana Guy tries to grasp the ephemeral: She interweaves her grandfather Jancsi’s story, remembered only in fragments, who left Vienna with his brother Bandi to escape the Nazi regime, with her own inner images, thus questioning them in a way. A ship to Palestine turns into an all-inclusive cruise liner, the vague becomes concrete only to fade away again. Cautious and bold in equal measure, the granddaughter enters shadowy terrain.
A Minion artist finds himself cast aside when the art world's attention shifts to the next big thing. Determined to regain the spotlight, he embarks on a series of increasingly outlandish and chaotic attempts to prove his artistic worth. In the process, he accidentally stumbles upon an entirely unexpected career path. A playful exploration of creativity, reinvention, and the Minions' signature brand of accidental brilliance.
It’s time to chase that holiday spirit with Tom and Jerry! With magic in the air, Jerry and his nephew, Tuffy, make a snow mouse that miraculously comes to life! To keep their new friend, Larry the snow mouse from melting, Tuffy and Jerry must race him to the fabled Snowman’s Village. In hot pursuit, Tom and devious Dr. Doublevay have their own plans for Larry’s magic.
The film questions the sacred relationship to objects and the different statuses conferred on them throughout their lives. Precious objects - votive offerings from the National Etruscan Museum in Villa Giulia - ornaments from churches or Roman sculptures, as well as contemporary detritus come together and evolve together in a kind of amniotic fluid. Usually inert forms have evolved into autonomous creatures: these composite beings interact, gesticulate, attract each other, react. By adopting the point of view of objects, by infusing them with a dose of desire, by giving them a semblance of soul, the artist reconsiders the border between the living and the non-living.