Dora and Boots embark on an incredible adventure to the land of alebrijes, the most magical and colorful creatures in the rainforest. There, they must band together against Swiper to save the beloved alebrijes and their Copal Tree Celebration.
Miss Eloise, a melancholic property agent, is assigned to manage the vacation of a countryside apartment room due to the sudden disappearance of its last tenant, a blue collar worker at a neighbouring company. However, her whimsical decision to spend the night in the mysteriously abandoned room—fuelled by her desire to flee from her own soporific reality—slowly spirals into a feverish odyssey.
In a manner akin to Irvine Welsh, this entertaining poery film charts my personal experiences as a young adult on the gay scene in East London in the early 2000s. The poetry speaks honestly and frankly but with a mix of melancholy and humour about my time at the White Swan pub, moving onto Chariots, a gay sauna in Limehouse, East London where I first fisted a man and then my experience of wanting to fist guys in a sauna at HSBC Bank Headquarters where I was working in Canary Wharf in London at the time. I say 'I' but actually the poetry for much of the film is delivered by my fist, who gives the viewer an honest and sometimes no-holes-barred graphic account of what it's like to 'go up inside another man's street' .
While escorting Dr. Eggman and his hapless new helper Trip through a perilous ruin, Fang the Hunter will need to muster all his cunning to overcome past mistakes and escape the coils of a fierce new enemy. Meanwhile, Eggman discovers what may be the key to his next dastardly scheme.
Brilliantly fusing the visual language and kineticism of anime with African themes, traditions, and histories, Jules Kalla Eyango delivers the thrilling tale of a grief-stricken warrior’s most momentous battle.
A complex and sometimes combative exchange at an Iranian broadcaster over a certain Hollywood blockbuster disguises deeper ruptures, in Farnoosh Samadi’s wry and subtly provocative drama.
Originally completed in 2018, the film was largely self-funded, Mr Yen Ooi worked on the script, refining the vision of the film for over a decade, with multiple iterations of the story under names such as 'Beetle Ramen', in which the completed draft of this screenplay was finalised in 2005, this would become the basis of inspiration and 13 years later the final production "Spaghetti Ramen" would be completed. It was then distributed to different indie and international film festivals. Unfortunately due to the passing of the director in the same year, the final processes were incomplete and the film did not get screened anywhere due to not getting the rights clearance. In 2023 however, the film was cleared to screen at WORM, Camera Japan in Rotterdam. This allowed for the first and only screening of the film in the world.
When Annette, a sweet grandma, receives a phone call from her grandchildren telling her they're on their way she swiftly starts to prepare the meal. After the preparations are done, she sits down to enjoy her bowl of soup but something is different.
Sometimes the dimmest lights burn just as bright, they’re only further away. Wish upon a star in this charming and serene animation from Nova Scotia newcomer Emma MacCabe.