While camping in the British countryside, Josh stumbles into and desecrates a liminal space one May Day eve. Lured deeper into the woods, he is 'Fae-led' and separated from Sarah his partner, before being offered a stark choice.
Do you ever wonder why you are the way you are? One day I decided to ask myself this question and I have been struggling to put the answer together ever since. “Enough of Myself” is my visualization of this process. When I finally had the headspace to consider my own emotions, it turned out to be a lot harder than I had thought. When you start to examine your own thoughts and patterns, the digging doesn’t stop. You keep digging deeper and finding new connections that you might have preferred stay hidden. But to ignore these things is to give in to them. Growth requires a certain level of vulnerability, not just towards others but towards yourself as well. To grow beyond those negative patterns, you need to look them in the eye first. In my film I tried to capture this emotional process in an array of animations. I hope that I haven’t just captured my own emotional process, but some deeper universal emotions as well.
In this poignant narrative, Shakar, a solitary rabbit, assumes the role of both protagonist and narrator, employing the unconventional literary device of breaking the fourth wall, Shakar directly addresses the audience, unraveling the harrowing tale of familial disintegration wrought by the nefarious actions of hunters. The narrative unfolds as a compelling exploration of loss, where the protagonist's solitude serves as a canvas for portraying the broader consequences of human activities on the delicate ecosystem inhabited by sentient beings. This evocative account transcends the boundaries of conventional storytelling, inviting the audience to reflect on the ethical dimensions inherent in the interactions between anthropogenic influences and the natural world.
The planet where artificial intelligence robots are kept. All robots can only recognize numbers. However, A robot accidentally gains "human eyes" and acquires self-awareness. This robot can now see the world with a human-like vision, and becomes conscious. However, humans, fearing the robot's self-awareness, view it as a potential threat and try to shut down its functions.
An episodic, animated biopic of Kafka, inspired by rumors of his collection of pornography. He writes - masturbates - dies. And within him we discover ourselves.
Director Ben Joseph Andrews suffers from a chronic vestibular condition characterised by destabilising episodes of dizziness or imbalance, whose symptoms can last anywhere from a few minutes to a few days (or longer).
A regency-era ball is being held, but the host, Edwin, is nowhere to be found. Sequestered in his private study downstairs, he dances with his partner, Pascal, and they bask in each other's company - until Pascal asks a question Edwin wasn’t ready to answer.
THE STAR SPORE is a two sided horror story exploring the effects of a devastating alien entity on both the body and the consciousness of an unfortunate resident of Goldtown, Montana. This project took me around half a year to complete and takes inspiration from books like ‘Hellstar Remina’ and ‘Vermis’ as well as films like ‘The Thing’, ‘Nope’, ‘Lake Mungo’ and ‘Mad God’. This project is not as focussed or linear as my previous projects and I mainly tried to focus on creating smoother animation and more atmospheric scenes.
A deaf woman named Caca took the train when she wanted to go home to her house in Bogor before midnight. However, Caca did not realize she was on the wrong train and fell asleep until she finally arrived at Nambo station. Now, she needs to find out what train she could use to return to Bogor.
In The Dog Ate My Homework, Alexandra Lemay takes a humorous look at screen addiction and its effects on young people’s concentration. Through the character of Charlie, children are encouraged to think about the length of their screen time and the ways they use online content.