"Shift" represents the consequences of our relationship with the planet we call home, wherein our actions cause a ripple effect of disaster and destruction. None that can’t be undone if we can make a shift.
An animated retelling of ‘Night of the Living Dead’, in which a group of people in a rural farmhouse struggle to survive the threat of bloodthirsty zombies.
The film is based on the story "Goldfish" by the famous Israeli writer Etgar Keret, paradoxically combining modernity with fiction and the absurd. His heroes are: a young guy Jonathan, who came up with a documentary project in which he will shoot how ordinary people fantasize about what they would ask for from a goldfish; and a poorly speaking Hebrew immigrant from Russia Sergey, who has a real goldfish and has the last unnamed desire.
Mandí is a fisherman from the Manao people, who live in the Amazon, in 1723. One day, he saves a huge turtle that is trapped in one of his fishing traps. In gratitude, she invites Mandí to the frog party, which will take place in the underwater world of Rio Negro. Spoken in the Baniwa language, Adeus, Querido Mandí is an Amazonian adaptation of the Japanese myth of Urashima Tarot.
Audrey Arckles is new in town...Little does she know that excitement is just around the corner... Join her and some "MAGIcal" friends as she starts her first adventure!
Six-year-old Bi has been afraid of water since the flood took her younger brother. Her father, Karl Klingert, dedicated himself to working on the world's first diving suit. Bi thinks the suit is the monster that took over her father. With the help of Peter, a young bully from the river, she tries to destroy it before the whole family leaves Wroclaw forever.
"sub vid heap" is a visceral and compositional study on domination, shot a year after the birth of a first child. An exhausted ego and a needy id, the sensory and the lingual, desire and duty, horror and humility vie it out in a haunted hall. Captured at Headlands Center for the Arts, screams of a baby are muted out while the process of portraiture claims space for a body craving autonomy. Actions of pushing, vacuuming and rocking conjure the rickety bones of downtrodden ancestors, calling the laboring body from the periphery to the center, moving the rage through the body for joy to inhabit the space it vacates.
A motor narrates the events and a murder that happened in its room with its own innocent perception of the world. The film also explores about the duality/double standards of men.