The difficulty and uncertainty of addressing such a delicate topic as consent in a sexual situation between a man and a woman is at the heart of the short film. These challenges and uncertainties are faced by the two police officers as they confront the accounts of both young people and a video capturing the incident.
Some studies suggest that after a person’s death, the brain continues its activity for another seven minutes, during which one can relive their entire life. But if it were possible to choose what to relive, as a final test, what would happen? Enea decides to relive his own death, to discover who killed him and why. But is this the right way to honor the time that has passed? Or does death, like life, offer no explanations?
After graduation, Salem returns home only to have his hard-earned degree suddenly rejected by the Department of Equivalency. Facing financial ruin and shattered dreams, he sinks into crisis. Just when hope seems lost, a mysterious company called "Your Excellency" offers him a risky chance to reclaim his future, forcing Salem to confront the true cost of survival.
A devastating airstrike shatters a family's life in Gaza. The pregnant wife and her son survive -- along with her husband's head, severed from his body. Confronting this surreal reality, they navigate an unbearable loss while clinging to fragile hope. Together, they embark on a haunting journey of survival, love, and the will to rebuild a life torn apart by tragedy.
After her mother’s death, young Melody must deal with the grief consuming her family, the return of her mother’s twin and the dispassionate clearance of her mother’s possessions.
After breaking up, a boy and a girl learn to live without each other. Each on their own, they go through the emptiness, the habits, the silences. Two parallel daily lives, between escape, memories and attempts to cope. This is not a love story. It's what's left afterwards.
Juliana lives under the weight of grief for her mother, who has lost a son. Obsessed with protecting her only remaining daughter, her mother turns love into a prison. But Juliana, amidst suffering and loneliness, finds in the piano a way to resist, express herself, and seek her identity.
Amelie, a young woman who finds herself engulfed in unresolved grief, adds a new object to her collection that leaves her torn between nightmare and reality.
A violent gunslinger sees visions of Hell and decides that in order to redeem himself he'll give his ill-gotten loot to save a beautiful nun's orphanage. But when he is ambushed and left for dead, he sets out on a trail of vengeance.
After discovering his girlfriend's betrayal, Ayaan retreats to his aunt's town, where an eight-day journey with his aunt, his friend Banku and a mysterious girl leads to self-discovery.
A film about the end of the world and the end of a roll of toilet paper. In his deftly playful work shot on 16mm, filmmaker (and musician) Ondřej Vavrečka reminisces, says his farewells and also reflects on the limits of progress. Via three fictional characters, each of whom responds differently to the impulses of their surroundings, he simultaneously enhances the sensitivity of the film audience. Will a pain we experience leave a scar or merely a colourless memory? And will someone remember the old Vysočany station a hundred years from now? In its poetic charm this cinematic piece is almost tactile in nature; it awakens all the senses and, in places, bears the hallmark of Jan Švankmajer, if the latter had been born an essential optimist, that is. Film as a whisper emanating from smiling lips. (Viktor Palák, KVIFF)
The heroine, a young archaeology student, whose relationship with herself, and with those around her, is forever marked by a traumatic event. Initially, Gaia cannot find the words to describe her situation, let alone the courage to speak about it. Eventually, however – like an archaeological excavation – she begins to uncover fragments of the past in order to piece her life together.