An unknown woman arrives in Georgia. A gorge, a river, impressive mountains and cloudy landscapes receives her. She finds a strange house inhabited by other people in the same situation as herself. Russian filmmaker Vladimir Grishechkin, in majestic black and white, with silences and spaces that outweigh words, depicts a tale between the real and the allegorical about those who have decided to exile themselves and face its consequences.
Temo is an unemployed actor who drives around 100km a day on a scooter, performing the duty of a delivery man. Based on the novel Courier’s Tales by Temo Rekhviashvili, who plays himself in the film, Anka Gujabidze crafts a poignant but humorous black and white photo adventure, in which a daily ride through the opulently dilapidated Georgian capital Tbilisi morphs into a nightmarish vision of poverty, corruption and estrangement.
The original film, titled The Death of Dracula (Drakula Halála) was producesd in 1921 as a Hungarian-Austrian-French co-production, one year before F. W. Murnau's Nosferatu. Given its production date, it may be considered the first Dracula" film in the world. The original negative and copies of the film were destroyed during the Second World War. Although the original screenplay could not be located, a book of the same title was published by Lajos Pánczél after the film's release. A reproduction of the script was created based on the book, and then this "remake" of the original film shot using the reproduced script.
Cast from humanity yet tethered to it – to be shipwrecked is to exist in this ambivalent space. Filmmaker Deniz Eroglu uses three independent episodes to probe this concept; a nursing home on New Year’s Eve, a sun-drenched Congolese family home and the medieval German countryside.
Mateo lives in a small village near the crater of a volcano. As the volcano awakens, Alejandra, his love, sees it as an opportunity to leave and explore the world outside, while Mateo wishes to stay. As everything threatens to fall apart, Mateo realizes he has nowhere left to hide, not even behind the volcano.
In this insect equivalent of a theatrical fine-dining experience, termite butchers, with musical accompaniment of a termite pianist, perform a ritualistic slaughter on a piece of power cable. The fact that their climate crisis-induced dietary choice also causes power outages in human cities is the proverbial cherry on the cable. A delightfully strange and pleasantly icky spectacle that combines costume play and animation. Eat up!
Pedro travels for the first time in one of the vans leading a group of workers to France. While, for the others, this is another work trip, each kilometer brings Pedro closer to a place that seduces him: the colossal mountains of the Alps.
Puspa, a novice lawyer handling trivial cases, fights for the cause of poor people accused of petty crimes and threatened with disproportionate punishment. As she takes on a rigged legal establishment, she must grapple with her crippling senses of powerlessness, and empathy.
Other than her hugely popular shows at one of Bali’s favourite gay bars, life isn’t exactly going to plan for trans performer Bulan. After meeting aspiring filmmaker Lily, however, Bulan starts to address her pain and anger. The result is both shocking and cathartic.
A recent amputee's desperation for autonomy over her own body takes a dark turn during an LSD trip with her boyfriend, resulting in a shocking act of violence that exposes the raw intersection of physical and emotional trauma.
The story is about standing up to the hate politics, age-old traditions and an eventual death threats as a couple faces opposition from their respective families.
The people are in turmoil. The ground from which their enchanted garden grows, is trembling. Between bushes and trees, flowerbeds and fountains, everyone has lost their way on their own. Their eyes search for paths, their hands try to remember. Sometimes they spot something. Sometimes they listen. They catch a whisper, a faint promise. They follow the petals downstream. Further. (Theresa George)
The largest casino in Europe but is it just a big mess? Daniel Hoesl presents Un gran casino as an angry musing on a building, an Italian village and all that is done in the name of the unfettered creation of wealth.
Steve is kicked out by his parents, who do not accept his homosexuality. Caroline, on the other hand, is struggling to mourn her motherhood as she accompanies Youri on on tour. Fate intersects, soon to be united, life and death.