The Ironlands is an unforgiving place; a fanatic cult plagues the kingdom of Annistiem, who in turn have resorted to begging adventurers to venture into the woods and cleanse their realm of the threat. Unbeknownst to them, something far more sinister guides the cult, and plots the destruction of Annistiem. Warriors, miscreants, and opportunists venture forth into the wood to slay the degenerate creatures, each having their own reasons and rationale. Some for gold, some for purity, and some for the hunt. But deep in the forest, only the trust of an ally, and the cold steel of sword and axe can save oneself from the terrors that lurk within.
Danesh works in a barbershop and dreams about becoming an actor. Manfered is an agent who would introduce Danesh to a famous director if he collects enough long hairs to be used as wigs. At the same time a series of murders have worried everyone. Who is the killer and is the barbershop in any way related?
Farhad tells the story of his life to a psychiatrist. In the time of the Iran-Iraq War, Farhad is arrested and charged with illegal migration. When he is freed years later, he goes to his old love, Mahtab. Through conversations with his psychoanalyst and interrogations with the police, Farhad reveals the story of his life.
Because of the drought around the world, Mountain Huaguo with a water source is harassed by powerful monsters around. To investigate the cause of the drought and also obtain a suitable weapon to fight the powerful monsters, Sun Wukong and his good friend Chikaoma Monkey participate in the Treasure Competition in the East Sea, but they get involved in an intrigue. With the Little Dragon Princess' help, Sun Wukong defeats the evil dragon Aoluan that wants to destroy the human world, gets the Ruyijingu Cudgel, and saves the human world.
A young museum curator Isabelle (Katie Goldfinch) is sent to look at an ancient artefact, discovered in the basement of a stately home in Shropshire. Welcomed into the sprawling manor house by a seemingly hospitable family; Karl (Larry Rew), his wife Evelyn (Babette Barat) and their beautiful daughter Scarlet (Florence Cady), but all is not what it seems, as a dark and terrifying secret hangs over them.
A girl confronts her fears when visitors from another land materialize in the shadows of the night. “NIGHTSHADE” is a short horror fantasy starring: Jennifer Nangle (That Night, Malvolia: The Queen Of Screams) , Leah Schaefer (Absurd TV), Lexi Marlene (Cold Blooded) and Marle Schaefer (Absurd TV)
In a not-so-faraway village, people use discarded reels of 35-mm film to make loud toys such as rattlers, whistles and whirligigs. Every day several hundred toys are crafted, and for each of these hundred toys they splice, slit and rip filmstrips. As they follow this routine with uninterrupted monotony, a few narratives leak out from the shredded analogues of film and infuse the place with phantasmagoria.
In this dark, depraved spinoff of the 21st Century Demon Hunter universe a one night stand turns disastrous as Theresa finds herself drawn into a world of inhuman savagery, all the while tempted by the beautiful and immortal Allison.
In artist Su Hui-yu’s signature style, a moody slow-motion pan captures a wild, glitter-scattered, blood-splattered orgy during the Tang dynasty. The film is an invocation of scenes from 1985 Taiwanese cult film Tang Chao Chi Li that only existed in the screenplay, unfilmed until now due to what can only be imagined as budgetary restrictions and censorship pressures during the Martial Law era. Presented without narrative context, the orgiastic murder scene plays out like an unsettling nightmare.
Sea of Lost Time is an allegory set in an undefined time and space, evoking the magic realism of Gabriel Garcia Marquez, inspired by his characters. A soldier comes back from the dead to a seaside village. He reminisces on the time lost while he was away, like a sea between his past and the dysfunctional present. Through him we discover a motley of characters: a rag-tag musical band, a man locked up inside an abandoned horse stable, his sister, also the soldier’s lover and who has been bemoaning the loss. An impressionistic view of the intertwined lives of those inhabiting imaginary spaces, with an underpinning of social and political metaphors.
Peter Wächtler's silent film "Untitled (Vampire)" is a mesmerising portrait of a solipsistic vampire and the secluded life he leads in a castle high in the mountains. In his diaristic accounts, existentialism meets the small comforts of consumption culture in the most bizarre yet plausible manners.