In the name of economic recovery, the Brazilian Government created a perennial system of compulsory vertical isolation for seniors over 80 to be confined in a colony. Teca is 77 and lives in the village of Muriti, in the Amazon, when she is surprised by the announcement of the age reduction, including her age group. Cornered, Teca makes an intriguing journey hidden from the officers amidst rivers, boats and the underworld to clandestinely try to fulfill her last dream, to take a plane ride.
The mythical character "Krahnstöver" is the secret sovereign over the tides in Hamburg, using his oversensitive ear and other measuring devices to control the city's fate
A short essay on our inner demons. Baiestorf recreates the nightmare narrated by teenagers from various parts of the world, who have this dream on a recurring basis.
In their final night together, a boy and a girl create a tender universe under their blanket fort, blissfully indifferent to the world outside that is slowly coming to an end.
Nadia is a Haitian biologist living in Cuba, researching local wildlife. Until she receives a visit from deep waters, and the Cuban forest begins to speak in other languages. On that day, Haiti never seemed so far from Nadia.
In a remote village in Xinjiang, a young Kazakh boy named Arsin, who finds solace in the company of plants. He soon meets Meiyu, a spirited Han girl whose unpredictable nature reminds him of a rare, otherworldly plant. As their friendship blossoms, it deepens into a delicate, dreamlike allegory that blurs the lines between reality and the enchanting world of botany.
In this extra scene from "Descendants: The Rise of Red," Bridget follows her dream of spreading love and joy to all through her dance, the "Shuffle of Love." Red and Chloe see how important the dance is to Bridget and offer to help perfect it in time to debut the dance at Merlin Academy’s biggest event, Castlecoming. In the euphoria of perfecting her dance for all to see, Bridget’s imagination runs wild, and her dance explodes beyond her wildest dreams… or so she thinks.
Fed up taking care of everyone's needs but her own, writer, wife and mom Annie discovers a tiny door in her closet that leads to what appears to be a better version of her life: a sweet and perfect doppelganger of her husband, well-behaved and helpful kids, a writing mentor who lives next door. But as this "Closet" family begins to reveal their flaws, Annie's place in this new world is challenged by the Closet version of herself.
Anna is a young girl with a mysterious destiny, born with the bloodline of an ancient serpent king—half human, half snake. One day, Anna meets Kao, a lonely young man and her new neighbor, who is often bullied by his peers. As they grow closer, feelings begin to blossom between them. Even after discovering Anna’s monstrous nature, Kao remains unafraid. However, neither of them realizes that their connection is crossing a forbidden line.
The Green Snake, who feeds only on demons and never harms humans, is misunderstood by the people of Hangzhou. Driven out and attacked, she escapes wounded and encounters a little ghost. The two decide to travel together. Upon entering the demon realm, the Green Snake attempts to rescue captured demons but faces skepticism and rejection. The Demon King, recognizing her abilities, assigns her a critical mission. As she spends time with the little ghost, the Green Snake begins to experience human emotions, and a deep bond forms between them.
Getting High is a surreal exploration of the mind, told through the eyes of a narrator trapped in the haze of his own thoughts. As he indulges in a joint, the film takes on a green-tinted aesthetic, symbolizing his disconnection from reality as his consciousness drifts through a series of iconic cinematic references, philosophical musings, and existential dilemmas. The movie draws influence from Fight Club, Her, American Psycho, and The Matrix, weaving these allusions into a disorienting montage of self-doubt, introspection, and the search for meaning. With a soundtrack that ranges from haunting to chaotic, Getting High is both a personal reflection on the consequences of indulgence and a universal commentary on the noise and beauty of modern existence. The film leaves you questioning your own reality, while pondering what truly sustains us — art or the illusions we create.