In 1993, youngster Loris Riccardi is the art director of a night club destined to become the most transgressive in Italy: Cocoricò. He conceives the concept of night-club-theatre transforming the dance floor into a place of provocation.
When a singing super heroine isolates herself from her surroundings by screaming because of her tragic past, she is forced to overcome her trauma to save the world from a meteorite impact.
Recorded live directly from Allianz Parque (São Paulo) on June 18, 2023, this Titãs' show celebrates the band's 40th anniversary, on this great (re)encounter tour.
Set 1:
Hell in a Bucket(Grateful Dead cover)
Sugaree(Jerry Garcia cover)
Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) (>)
Mr. Charlie(Grateful Dead cover)
Friend of the Devil(Grateful Dead cover) (>)
Lost Sailor(Grateful Dead cover) (>)
Saint of Circumstance(Grateful Dead cover) (>)
Big Railroad Blues(Cannon’s Jug Stompers cover)
Set 2:
Samson and Delilah([traditional] cover)
Playing in the Band(Bob Weir song) (>)
Help on the Way(Grateful Dead cover) (>)
Slipknot!(Grateful Dead cover) (>)
Franklin's Tower(Grateful Dead cover) (>)
Drums(Grateful Dead cover) (>)
Space(Grateful Dead cover) (>)
Death Don't Have No Mercy(Reverend Gary Davis cover)
Throwing Stones(Grateful Dead cover)
Sugar Magnolia(Grateful Dead cover)
Encore:
Werewolves of London(Warren Zevon cover) (> 'Playing in the Band' reprise)
0:30 - Rise Up 4:48 - The New Order 9:35 - The Preacher 13:58 - Children of the Next Level 20:13 - The Pale King 25:49 - Practice What You Preach 31:26 - D.N.R 35:18 - 3 Days in Darkness 41:11 - The Electric Crown 47:13 - The Formation of Damnation 54:53 - Over The Wall 1:00:03 - Into The Pit
Based on testimonials from key characters, such as Dona Onete, Manoel Cordeiro, Pio Lobato, among others, in “Terruá Pará”, director Jorane Castro leads us into a deep dive into the diversity of Amazonian music, providing moments of enchantment and emotion.