On a sleepy summer night in 2004, eyes peer into the world-wide-web: traveling between conspiracy sites, malware, porn, and mp3 databases in an attempt to lose (find) themselves. Passing through blog graveyards, broken hyperlinks, and digital spirits, they begin to realize the Internet is so much more. Lost websites, anon forums, and inexplicable pixels singing to a prepubescent soul. An ode to the 2000s webpage and flash game culture.
Los Fabulosos Cadillacs take the stage at the Movistar Arena in Buenos Aires and we want to invite you to enjoy the entire concert in a live broadcast.
Julia Bullock, Joyce DiDonato and Jakub Jozef Orlinski star in Katie Mitchell’s thrilling new production of Handel’s Theodora in an alternative modern-day reality, Theodora, a religious fundamentalist, plots for the resistance against the Roman occupation. But when her secret plan to destroy the Roman embassy is discovered, she learns the true brutality of her oppressors. Harry Bicket conducts the Orchestra of the Royal Opera House
On 8 December 1980, a murder stirred the modern world. Britain’s most famous member of The Beatles was gunned down at the entrance to his residence in New York. What turned a fan into the killer of the man he adored? Composer Ivo Josipović - and none other than Croatia’s former President - has had a very rich musical career alongside one in politics. He has written over 50 chamber music pieces for various instruments, chamber orchestra and symphony orchestra as well as serving as director of the contemporary music festival, Music Biennale Zagreb. The fate of John Lennon has intrigued the composer and with librettist Marina Biti, the pair have created an opera built around the last days of the Beatle, the people who were important to him and a psychological profile of his murderer. For the world premiere at the Croatian National Theatre in Zagreb, the conductor is Ivan Josip Skender and director Marina Pejnović.
Set 1: Good Times (Sam Cooke cover) Hell in a Bucket (Grateful Dead cover) Big Railroad Blues (Cannon’s Jug Stompers cover) Lost Sailor (Grateful Dead cover) (>) Saint of Circumstance (Grateful Dead cover) Ship of Fools (Grateful Dead cover) Brown-Eyed Women (Grateful Dead cover) The Music Never Stopped (Grateful Dead cover) Set 2: Jack Straw (Grateful Dead cover) Truckin' (Grateful Dead cover) (>) He's Gone (Grateful Dead cover) (>) Playing in the Band (Bob Weir song) (>) Uncle John's Band (Grateful Dead cover) (>) Drums (Grateful Dead cover) (>) Space (Grateful Dead cover) (>) All Along the Watchtower (Bob Dylan cover) (> 'Playing in the Band' reprise >) Standing on the Moon (Grateful Dead cover) (>) Not Fade Away (The Crickets cover) Encore: Touch of Grey (Grateful Dead cover)
From Carmen's dark and lonely living room, a song (performed by Gay Silence) sounds and takes her back to a spring afternoon gateaway she had, opposed to the melancholy of her home.
Take It Easy For A Little While is a short, introspective film detailing the mind of an obsessive one-hit-wonder, trying to make a name for themselves musically. Mark, a middle-aged sellout, is trying to write an album to verify his integrity as a songwriter and musician, but writer's block is plaguing his creative process. Lack of proper sleep and intense stress cause hallucinations for Mark, of which then become the inspiration for his songs.
The band Roupa Nova celebrates 40 years with the recording of the DVD in Rio de Janeiro. Special appearances and tributes to the vocalist, who died in 2020, are part of the celebration.
PROJECTIONS is about when we fall in love with someone unknown and we do everything we can to really get to know that person. For our protagonist, this approach will be to write a script for a young actress who plays an old Hollywood star with whom he is in love and doesn't really know anything.
Two boys play poker on a dull afternoon. As one boy inadvertently touches and makes eye contact with the other, it sparks a beautiful, imaginative dance.
Roger Waters, the creative force behind the golden years of Pink Floyd, presents his first Farewell Tour, “This Is Not A Drill”, Live from Prague, in cinemas around the world. This cinematic extravaganza is a stunning indictment of the corporate dystopia in which we all struggle to survive and will include 20 Pink Floyd and Roger Waters classic songs, including: “Us & Them”, “Comfortably Numb”, “Wish You Were Here”, and “Is This The Life We Really Want?”. Waters also debuts his new song, “The Bar”. Waters is joined on stage by Jonathan Wilson, Dave Kilminster, Jon Carin, Gus Seyffert, Robert Walter, Joey Waronker, Shanay Johnson, Amanda Belair and Seamus Blake to deliver an unforgettable performance with a call to action to love, protect, and share our precious planet home.
Rapper, record producer, songwriter, and actor, Eminem has a wide range of talents. Despite his struggles, this rap artiste has won the hearts of critics and fans alike, earning more than a dozen Grammy awards.
Set 1:
Feel Like a Stranger (Grateful Dead cover)
Alabama Getaway(Grateful Dead cover)
Ramble On Rose(Grateful Dead cover)
Dear Mr. Fantasy(Traffic cover) (>)
Hey Jude(The Beatles cover) (>)
Dark Star(Grateful Dead cover) (verse 1) (>)
Cumberland Blues(Grateful Dead cover)
Casey Jones(Grateful Dead cover) Set 2:
Here Comes Sunshine(Grateful Dead cover)
Scarlet Begonias(Grateful Dead cover)
Viola Lee Blues(Cannon’s Jug Stompers cover) (>)
Spanish Jam(Grateful Dead cover) (> 'Dark Star' verse 2 >)
Fire on the Mountain(Grateful Dead cover) (>)
Drums(Grateful Dead cover) (>)
Space(Grateful Dead cover) (>)
I Need a Miracle(Grateful Dead cover) (>)
Death Don't Have No Mercy (Reverend Gary Davis cover)
U.S. Blues(Grateful Dead cover)
Encore:
Ripple (Grateful Dead cover)
In May 2022, Henry Threadgill presented an acclaimed concert at Roulette Intermedium in Brooklyn, New York, that combined a vibrant new composition for a 12-piece chamber ensemble with an array of elements, including recited poetic texts and projections of paintings, photographs, and prerecorded film footage and vocal choirs. The New York Times described the music as possessing “a galvanic sense of swing” in a performance imbued with “an obliquely danceable, straightforwardly joyous Threadgillian energy.” The Other One captures and remixes the multimedia performance into a dazzling cinematic document of Threadgill’s experimental vision.