Teenager Julian gives chase to fellow musician Gabrielle through the streets of downtown Austin - In her car is a phone playing a demo of their co-written song, and in his, a bluetooth speaker, just on the edge of connection.
A group of merchants and vikings navigate dramatic events both within and without in this epic musical based on the Icelandic Vinland sagas. As secrets are exposed, two women (Freydís and Gudrid) have a reckoning.
To mark the fiftieth anniversary of its premiere, it will return to the stage of the Takarazuka Grand Theater in 2024 for the first time in ten years. This story, a foundational work of shojo manga that continues to be loved by many people across ages and borders, is set in France during the raging revolution, depicting the forbidden love of two couples. The Takarazuka Revue has staged various versions of The Rose of Versailles over the years. In this version that focuses on Fersen, we present the splendid world of The Rose of Versailles in a glorious celebration of its fiftieth anniversary.
A collection of hits from one of pop music’s greatest geniuses - Prince, aka ‘The Artist Formerly Known as Prince’, aka ‘the Unpronounceable Symbol’, and more. Whichever alias he assumed, Prince was always fascinating as both a performer and songwriter, and here are the best of his own appearances on a selection of BBC shows, alongside a rich selection of performances from artists who covered his songs over the years.
In the summer of 2009, the first Jisan Valley Rock Festival was held, and Blur reunited and Oasis disbanded. For Su-min, a middle school student living in the countryside, all this seems far away. And that summer, Suzuki disappeared.
Magic Hour, The Seventeen is a special documentary about highlighting the K-pop industry through the performance culture enjoyed by the group Seventeen and its fans.
Diana Arbenina is a unique rock star and an idol for many generations. She became popular back in the 90s and still does not leave the stage, filling stadiums. However, her story is not only a series of rock concerts, but also tragic turns in fate, the bitterness of losing loved ones, the joy of motherhood and an endless flow of emotions and love of life, which allows her to overcome herself, create, write music and make people happy. Together with Diana, the viewer will live one day in the life of a rock star: meetings, rehearsals, training, caring for children, communication with her mother, the premiere of a series with her participation. How does a person who is constantly in sight live?
Steppenwolf is one of the most legendary and at the same time most enigmatic bands in the history of rock music. On the border between mainstream and psychedelic underground, their song "Born to Be Wild" became the anthem of an entire generation. The new, hard sound of Steppenwolf was a stab in the heart of the "Summer of Love" and put an end to the hippie era. It is no coincidence that they were the very first band to use the word "heavy metal" in their lyrics.
Across a 45-year career ‘The Oils’ helped shape modern Australia with anthems like “US Forces”, “Beds Are Burning” and “Redneck Wonderland”. Featuring unseen footage and interviews with every band member, alongside signature moments including the outback tour with Warumpi Band, their Exxon protest gig in New York and those famous “Sorry” suits at the Sydney Olympics, Midnight Oil: The Hardest Line traces the journey of Australia’s quintessential rock band.
A decade before the French Revolution, in a country riven with bitter polemics, Gluck throws the history of opera into confusion by raising it to an unheard-of peak of tragic intensity. Experiencing his two Iphigenias in a single evening goes beyond the norms of operatic life: it is to enter the very heart of the curse on the family of King Atreus of Mycenae, to follow a logical destiny through a cycle of endless violence. How does the victim of Aulis become the murderess of Tauris? That is the burning question that Dmitri Tcherniakov must adress, plunging the spectator into the midst of a household haunted by the dead and setting in train an implacable process of dehumanization, with parallels to our world today. Conducting Le Concert d’Astrée, Emmanuelle Haïm drives this dual tragedy to the summit of its expressive power, leaving humanity to be translated through arias of the utmost poignancy.