'Left of Center' follows a young woman generations after the climax of a global climate catastrophe in a Clean Center: a net zero, self-sustaining facility designed to contain humanity, and let the planet heal itself. She's trapped in a mechanical and repetitive world when all she wants to do is slow down and spend time in the greenhouse. Inspired by the history of deforestation in Vermont, this film looks at what we stand to lose if we don't do something to help the planet, and what we lose in ourselves if disconnected from nature.
Meriem Bennani’s Guided Tour of a Spill acts as an interlude between her groundbreaking Party on the CAPS (2018), her pseudo-documentary set in the Moroccan quarter of the CAPS, and a narrative sequel set to debut later this year at the Renaissance Society and Nottingham Contemporary. The exhibition consists of the titular multi-channel video projected and displayed on sculptural, kinetic screens alongside new drawings of scenes from the world of the CAPS. One screen, broadcasting what could be an A.I.-generated children’s video, is topped by helicoptering ropes that slap the gallery walls. Inspired by the compilation structure and synesthetic drive of Disney’s Fantasia (1940), Guided Tour of a Spill centers less on overt narrative and more on the visceral and sensorial pleasure of music, dance, athletics and humor.
After a toxic and mysterious pink cloud suddenly appears around the globe, people are forced to shelter in place. A woman finds herself stuck in an apartment with a stranger after a one-night stand, and the two come to terms with staying together.
NOMANKIND is a short film that represents the vision of a machine-dominated society in a near future where humanity is on the verge of extinction due to its own self-destructive nature.”
When his socks go missing in the wash, a failed science-fiction writer discovers a portal to a parallel universe in his washing machine where he meets another, better version of himself; or so it seems.
A man known only as The Emperor has seized control of the world, and seeks to stamp out all religion. As his armies march on the last church on Terra, a priest named Uriah stands resolute. He maintains his church and prepares for his congregation, as he would any other night, despite this being faith's final day. It is to these conditions a mysterious figure, Apocalypsis, arrives. On the eve of a changing universe, Apocalypsis and Uriah debate the legitimacy of the principles of religion.
A young scientist drives away from a lab with a large box in the back of her van. But what does it contain? What follows is a tense adventure story about man's relationship with nature, and the lengths we can go to to protect the things we love. The original cut of the film was shot and edited in two days as part of the Sci-Fi London 48hr Film Challenge, but it has since been re-edited and extended for festivals.
ZAIA Enterprise CEO Leon Arkland has abducted Jin away from Metsuboujinrai.net. A large number of soldier-model Huma Gears "Sold" were seen by Naki and Ikazuchi while rescuing Jin. The intention of Leon Arkland was to mass-produce "Sold" and sell them as weapons all over the world. Jin is indignant at the fact that Humagears are about to be used as a weapon, and tells the other members of Metsuboujinrai.net that he wants to free the "Solds". Four people who transform into Kamen Riders will fight to release the "Solds". However, something unexpected happened... What happened to Jin, while he was captured by Leon? According to Leon's plan, the being that poses the "greatest threat" to humankind is about to be born in a surprising way...