Whiskey, cigars and rich food paired with playing cards. The obvious frame of a stylish and comfortably get-together. However in this case the attendees do not play for fun and their standing but for their own life.
After his NYC girlfriend dumps him, Jake Burns is living back with his mom in the suburbs, heartbroken and depressed. He desperately tries to meet someone new, but can't seem to figure out the ever-evolving dating app game. One day a pop-up ad appears for a promising new dating app, and Jake soon finds himself in a comprehensive dating system run by artificial intelligence. The founders, power couple Regina and Plato, show Jake a world where he transforms into different characters to best suit his matches' desires. After multiple successful dates that end in romance, Regina and Plato introduce a more confident Jake to another level of their operation: Santamaria- an exclusive community for dating system recruiters, or 'influencers', who fill their days with sex, drugs, virtual reality, and other sense stimulating pleasures.
In a universe where consoles are re-imagined as planets and games re-imagined as sectors, what would it take for worlds to collide? Who will reign victorious? Xbox vs Playstation, it is time to settle this once and for all.
Brutally attacked by three masked men on Halloween night, a homeless girl faces her worst nightmare until time stops and she meets two mysterious superheroes who can't save her, but might help her save herself.
Charging scenes of the present with dystopian speculation, "Field Resistance" blurs the boundaries between documentary filmmaking and science fiction to investigate overlooked environmental devastation in the overlooked state of Iowa. Footage collected from disparate locations—a university herbarium, karst sinkholes inhabited by primordial flora and fauna, a telecommunication tower job site, a decaying grain silo, among others—interlocks to evoke a narrative of present danger and future disaster, of plant expansion and humanity's retreat. The film rejects the human individual as the focus of narrative cinema, and, instead, adopts the perspective of a symbiotic "implosive whole" in which human and nonhumans are related in an overlapping, non-total way.
An award winning Indie festival favorite, AESOP is a film about a company that has developed a pill that ends the aging process, meaning people will not age or die of old age. Unfortunately, not everyone will get it. Ruth works at AESOP, helping decide who gets the pill and who doesn't. She meets and falls in love with Marie, and eventually learns that Marie will not be eligible for the pill.
This computer-generated fantasy tells the story of a fading superstar, Diva, who enlists an aspiring AI songwriter to mount a comeback performance at the 2065 eSports Olympic finale. Set in a smoke-and-mirrors realm of fantastical architecture, sentient drones and snow-deluged jungles, AIDOL revolves around the long and complex struggle between humanity and Artificial Intelligence. Fame - in all its allure and emptiness - is set against the bigger contradictions of a post-AI world, a world where originality is sometimes no more than an algorithmic trick and where machines have the capacity for love and suffering.
At a nondescript government agency suspended in time, a group of lexicographers are about to settle into their usual routine: the eradication of all unnecessary, objectionable and potentially objectionable words by unanimous vote. Discussions need to be made and decisions reached, by this motley crew, in this gloomy room, for all of humanity, when in walks the new Typist with fresh questions and challenges for the entire group.
Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).
Embarked on a spaceship in the hope of finding a new habitable planet, the human trapped in his own ship after the robot overseer finds every single candidate planet unsuitable.