A road trip movie about two boys trying to escape the horrors of war on a journey that could be their last chance to survive. One is desperate to save his family, while the other seeks to redeem himself from his past.
The story of people through whose eyes Ukrainians and the world see the events of our time—photographers who document the war and its consequences. The project was filmed with state support. Among the film's protagonists are Stas Kozlyuk, Georgy Ivanchenko, Yefrem Lukatsky, Arseniy Gerasymenko, Danilo Pavlov, Nicoletta Stoyanova, Olga Kovaleva, Kateryna Radchenko, and Yevgen Dyaditsyn. Their work is often frightening in its truthfulness, and so it comes with a warning label for readers: "Sensitive content." The film's protagonists share their understanding of photography as a universal language that can tell the world the truth about war, and they talk about the ethical dilemmas they face in their work.
In a dystopian and climate-ravaged future America torn apart by civil war, a group hiding in a remote cabin become the target of a ruthless rebel militia leader and his platoon, viciously hunted in a fight for survival.
Yaazhi, a mythical creature once sworn to protect its land and people, fails and abandons the battlefield. As it flees, the real war begins—a battle within the mind. When a protector turns deserter, can redemption ever be found?
In war-torn Jakarta 1946, a haunted violinist ordered to bomb a colonial theatre sees his plan unravel when a charismatic rebel falls for his wife—jeopardising Indonesia’s freedom and their lives.
Canadian Corporal Léo Major (1921-2008) took on a leading role in the liberation of Zwolle during the night of 13 to 14 April 1945. He was almost independently responsible for the withdrawal of an German occupier. This short film contains interviews with family members, war historian Joël Stoppels and residents of Zwolle, including former mayor Henk Jan Meijer. In addition, historical events filmed in Zwolle and Calgary are re-enacted.
Long before John Pork the world burned under the hooves of one tyrant—Gengus Ham, high warlord of the Oinkle Empire. Born from blood, prophecy, and pork, Ham forged a brutal dynasty across the scorched earth, enslaving panthers, rats, birdfolk, and any creature who dared defy the Empire of Snout. With his Bone Guard army at his command and the dark magic of the Bacon Priests behind him, Ham rises from obscure village runt to divine emperor. But as he conquers and consumes, an ancient curse stirs—one that threatens to tear apart his empire from within and haunt his descendants for generations. GENGUS HAM is a sweeping, blood-soaked epic of war, myth, tyranny, and the twisted birth of a legacy. It's the untold prequel to the John Pork saga—where power is carved in bone, and destiny smells faintly of smoked meat.
May 1942. Several units of the Crimean Front troops, together with the city's residents, took shelter from the bombing in the Adzhimushkay quarries. A boy who, using neural network technologies, got into the past, faces a choice: find lost artifacts or help the defenders of the quarries. And he decides to share all the hardships of this life and, most importantly, to give hope to these people.
Two warring army generals, unable to negotiate peace agreements, succumb to violence. Just as all seems lost, their eyes converge on a wooden box on the table: the negotiation turns into a game of chess.
A platoon of Navy SEALs embarks on a dangerous mission in Ramadi, Iraq, with the chaos and brotherhood of war retold through their memories of the event.
In 1967, as the Vietnam War raged, a Vietnamese revolutionary guerrilla team became the U.S. military's top target—charged with safeguarding a secret group of intelligence agents at all costs.
Dietrich Bonhoeffer was a German pastor, theologian, spy, anti-Nazi dissident, and key founding member of the Confessing Church. His writings on Christianity's role in the secular world have become widely influential.
The film follows Lika, a young girl forced to flee the war with her little sister and mother, leaving her father behind. Haunted by fear and loss, Lika finds freedom in her dreams where she learns to fly. Her flights become a symbol of escape from the bombs, the terror, and the constant threat of death. When she tells her little sister about it, the four-year-old, who truly believes Lika can fly, asks softly, “Then why don’t you fly to Papa?” And so, Lika does – at least in her dreams.
Anton is alone in a bunker on the front line when the entrance is hit and the bunker collapses. The soldier is trapped. All the initial optimistic efforts to escape the situation are hopeless. Attempts to establish radio communication with the outside world do not succeed. Fortunately, there is water, food, batteries, but it is becoming increasingly clear that... Then a companion comes from somewhere, a rat. Is this little creature the last living soul to witness the end of Anton?