This gripping documentary recounts the story of the long search for Nazis in hiding from 1945 to the present day. Sixty years of relentless investigations, set-backs, trials and dramas brought about principally by three extraordinary individuals: the Austrian death camp survivor, Simon Wiesenthal and the German/French couple Beate and serge Klarsfeld who devoted their lives to search for the highest level Nazis still at large.
Following the murder of Andre Toulon by Nazi assassins during the height of World War II, a young Danny Coogan finds his crate of mysterious puppets, and discovers their plan to attack a secret American manufacturing plant.
He's the deadliest weapon on the battlefield, but his next shot could be his last. Outnumbered - Outgunned - Behind enemy lines - What happens when the tables are turned and the hunter becomes the hunted? This is SNIPER: DEADLIEST MISSIONS. From the treacherous jungles of Vietnam and the bloody war zones of Iraq, to danger high in the skies of the Alaskan wilderness, this two-hour special puts you behind the scope with the men who pulled the trigger on some of the deadliest missions in military and law enforcement history. Gripping firsthand accounts, 3-D graphics and jaw-dropping shooting demonstrations take you inside the shadowy world of top snipers and the missions that made them living legends. Outmanned and out-gunned - will the next shot be their last?
Fereydoun is a war hostage that has recently came back to the country, but he goes under arrest because of the charges against him such as betraying his country and fellas during his custody in Iraq.
Tsutomu Yamaguchi is a hibakusha. A survivor of both atomic bomb blasts in 1945. First at Hiroshima, then again at Nagasaki. Now nearing 90, Yamaguchi finally speaks out. Breaking taboos of shame and sorrow, he responds to a call to fight for a world without nuclear weapons by telling his story, so that no one else will ever have to tell one like it again. Twice reconstructs Yamaguchi’s experiences in 1945 Japan, interviews him on the after-effects of exposure and documents the last five years of the late-blooming activist’s life.
Contains 2 programs: Buchenwald 1937-1942 and Buchenwald 1942-1945. Every aspect of life within the fences was a torture where mistreatment by the guards was not only encouraged but was compulsory. Herman Pister's installment as commandant in 1942 only intensified the horrors committed there with experimentation on inmates in ways to kill more conveniently. The atrocities were discovered with its liberation by U.S. forces in 1945 and the desire for revenge took over as camp personnel were hunted down and made to publicly stand trial for war crimes.
An exploration of how the U.S. military employs video game technology to train troops for war. In A Sun With No Shadow, Farocki calls attention to the subtle differences between the simulations for combat training and PTSD. With the former, the sun can be programmed to cast shadows in the virtual combat zones, while the latter, less expensive technology does not offer this feature.
An exploration of how the U.S. military employs video game technology to train troops for war. In Immersion, Farocki presents footage of a role-playing exercise in which military psychologists demonstrate how to use the PTSD program on their colleagues, who describe traumatic wartime experiences. On a second channel, their descriptions play out as virtual renderings.
An exploration of how the U.S. military employs video game technology to train troops for war. Three Dead depicts a military exercise within a mock Iraqi town built on the outskirts of Twentynine Palms, California, blurring the line between computer simulation and reality.
An exploration of how the U.S. military employs video game technology to train troops for war. Filmed at the United States Marine Corps Air Ground Combat Center, Watson is Down pairs footage of soldiers at computers engaging in combat-simulation training with scenes from the video games.
The story takes place in Karabakh mountains in 1992, in the times of Armenian-Azerbaijani war. A small group of Armenian soldiers is working their way through the snow to reach the necessary point. One of them is so exhausted, that he can't keep on going. He is obliged to stay and wait for the reinforcement. He is left alone with the body of the Azerbaijanian soldier, who was shot by his companion. Checking his I.D., he discovers that they are from the same town, that they are countrymen.
A pious old man, who is a proponent of suicide attackers, comes to Kabul to visit his only son, who, after the holy war had remained in the Soviet Union. He had enrolled his son in a religious school "to study the Koran and return to the village as a Mullah". In Kabul he learns that his son had decided to become a divine suicide bomber so as to go to Heaven. The film presents two different forces of the inner world of the protagonist father: paternal feelings and the holy religious ideology. The spectator witnesses how he loses his only son and holy belief. Shot in chaotic and dirty Kabul, the film portrays the incorrect interpretation of religion and the conflict of generations.
Based upon the popular graphic novel by Wu Lin, this is the first Chinese animated film to portray the Holocaust. The film centers around the warm friendship between Rina, a wide-eyed European Jewish schoolgirl and A-Gen, a Chinese pancake seller, who teach each other about their distant worlds as Shanghai struggles beneath its own cruelly portrayed Japanese occupation.