The true story of Charlotte Salomon, a young German-Jewish painter who comes of age in Berlin on the eve of the Second World War. Fiercely imaginative and deeply gifted, she dreams of becoming an artist. Her first love applauds her talent, which emboldens her resolve. When anti-Semitic policies inspire violent mobs, she escapes to the safety of the South of France. There she begins to paint again, and finds new love. But her work is interrupted, this time by a family tragedy that reveals an even darker secret. Believing that only an extraordinary act will save her, she embarks on the monumental adventure of painting her life story.
Beginning of the Great Patriotic War. Lieutenant Adi Sharipov, together with his platoon, cover the retreat of the regimental headquarters and remain surrounded, behind enemy lines. The enemy drives the squad into the swamp. Fear of the unknown, despondency and doubt haunt the fighters until they realize that waiting and inaction will destroy the squad faster than enemy bullets.
This Danish movie "Out of The Darkness" ( in Danish 'De Forbandede år 2' ) is a continuation of the popular WW II drama "Into The Darkness" ( in Danish 'De forbandede år' ) and it portraits the Danish Resistance movements fight. This movie takes place after 1943 where the official politic of 'corporation' comes to an end, and the Danish Resistance movement is gaining traction. The movie follows the Skov family from 1943 to the end of WWII. The growing opposition to the occupation and the increased brutality of the Germans have fatal consequences for the family.
A peep into the mind of a genius as the To Do List - Short Film director Daniel Melville finally speaks out on the secrets behind the creation of this controversial film.
Dave Evans was a renowned prosthetist, humanitarian and peace activist. A double amputee himself, he dedicated his post-military career to transforming lives shattered by these seemingly never-ending, interchangeable wars. From Syrian refugees in a prosthetics clinic in Amman, Jordan, to the fallout of war in places like Iraq, Dave chose a life of service to others.
After the impressive Gulistan, Land of Roses (VdR 2016), the Kurdish filmmaker Zaynê Akyol returns with these conversations with imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematic object.
In the midst of the Great Patriotic War, twenty-year-old Pashka returns home from the front to his relatives, having served as a nurse and heroically saving wounded soldiers. At the same time, fierce battles are still going on on the Western Front, and memories from the front overtake the heroine every day in civilian life ... after all, every day in the war is like the last.
On April 25, 1974, a man walked alone in Largo do Carmo. He knocked on the GNR military barracks door and entered, unarmed and without any escorts. Inside, the Government’s chief, Marcelo Caetano, waited, surrounded by the military and the people. The man who stared at him that afternoon and demanded surrender, guaranteeing his safety, had just led Santarém’s Artillery 1 regiment in taking the capital. Without firing a single shot, he managed to overthrow a regime that was over 48 years old. That was the last step to take and he took it, without hesitation, becoming the unavoidable figure of the day that marked the beginning of democracy in Portugal
My Father’s War, an animated documentary produced by Humanity in Action, brings to life the experiences of Peter Hein and his son David Hein. As a Jewish toddler in the Netherlands in the 1940s, Peter was separated from his parents and whisked from hiding place to hiding place to escape deportation. From feigning scarlet fever to avoid a Nazi raid, to suffering crippling injuries during a bombing campaign, Peter somehow survives, one day at a time, even as capture and death surround him. Meanwhile, the film also follows Peter’s parents, who themselves must make a series of daring escapes as their hiding places are revealed to Nazi forces by Dutch collaborators. By the end of the war, when Peter and his parents are finally reunited, Peter cannot even recognize them. “I just saw a strange man with long black hair and a little woman who was crying and trying to kiss me. I didn’t want anything from them,” Peter recalls in the film.
In 1810, Joaquim, Ana and their two kids are separated by the imminent Buçaco battle, while Lord Wellington and Commander Masséna prepare their armies.
Ben Fogle uncovers one of the untold stories of the Falklands War - a battle fought by 30.000 British Marines against an Argentine invading force ten times that number.
Lucy Raven's Demolition of a Wall (Album 1) is the second film in her trilogy of "Westerns." In American cinema, the Western has traditionally celebrated the expansionist myth that the region is somehow primal or untouched. Raven, by contrast, engages with a West that–while still dramatic in its natural beauty–has been industrialized, militarized, and colonized. She filmed this work at an explosives range in New Mexico that is typically employed as a test site by the US Departments of Defense and Energy and private munitions companies. Notably, it is close to Los Alamos, a national laboratory known for its role in the development of the nuclear bomb. Using a variety of cameras and imaging techniques, Raven captures the trajectory of the pressure-blast shockwaves that move through the atmosphere in the wake of an explosion. [Overview courtesy of the Whitney Museum of American Art]
In 1943, two British intelligence officers concoct Operation Mincemeat, wherein their plan to drop a corpse with false papers off the coast of Spain would fool Nazi spies into believing the Allied forces were planning to attack by way of Greece rather than Sicily.
The film, made by colleagues in the TV3 News Service – Ieva Vārna, cameramen Sergejs Medvedevs and Dzintars Rudzītis – collects materials filmed in Ukraine a few days before the Russian full-scale invasion, as well as events in the first weeks of the war. It's a collection of stories by people about the horrors of the war caused by Russia, becoming refugees and standing for the freedom of their homeland in spite of the atrocities done by the occupiers.
Alexey Suhanok, a Belarusian stand up comedian, lives through the horror of a next-door war by making edgy jokes on the subject. Alas, this self-defence mechanism doesn’t stop him from having a nervous breakdown of his own.