Madam Dila is the grieving widow of a recently deceased Ağa (feudal landowner) who is hell-bent on wreaking revenge on Rıza, the man who murdered her husband. She sends her men to kill him and then ironically, saves his life because she doesn’t know it’s him.
In the city of Aguaprieta, two horses are part of the largest event in the region. The unbeatable horse Moro from the city of Cumpas faces the imposing Zaino de Aguaprieta. Two in a decided race in just 450 rods.
The legendary frontiersman and hero of boyhood paperbacks joins forces with Captain John Fremont as chief scout on a secret expedition to Mexico. The disobedient Randy tries to rejoin his friends but only succeeds in putting them all in jeopardy.
Father Kino , a 17th-century Jesuit missionary, dedicated his life to helping Native Americans in the Southwest by teaching them agricultural skills as well as building missions and spreading Christianity. An explorer, astronomer and map maker, Father Kino surmounted numerous challenges as he journeyed through California, Arizona and Mexico.
Based on the novel Tomochic by Heriberto Frías; tells the story of the rebellion of the inhabitants of the village of Tomochi, Chihuahua, against the government of Porfirio Diaz in 1891. Mexico's submission for the Academy Award for Best Foreign Language Film in 1976.
A young couple and their neighbors celebrate Christmas in 1874 on the Dakota prairie. Despite tragedy and an ongoing battle with the railway company, Christmas is a homespun and overly sentimental affair.
Tommy is an innocent cavalry officer who falls in love with a beautiful Apache woman after rescuing her from a nasty gun smuggler named Honest Jeremy. When Jeremy and his gang find Tommy, gruesome violence ensues.
In 1861, miner Galen Clark learns he has consumption and decides to travel west in his final months. During the journey, he meets naturalist John Muir, who encourages him to live. Along with Native American Teneiya, Galen builds a cabin and settles with his daughter Kathleen. When loggers threaten to destroy their community and the forest, Galen joins forces with Muir and Teneiya to advocate for the area's preservation as Yosemite Park.
A black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs. He becomes a bounty hunter, determined to track down and kill the men who killed his mother.
Half-breed Keoma returns to his border hometown after service in the Civil War and finds it under the control of Caldwell, an ex-Confederate raider, and his vicious gang of thugs. To make matters worse, Keoma's three half-brothers have joined forces with Caldwell, and make it painfully clear that his return is an unwelcome one. Determined to break Caldwell and his brothers' grip on the town, Keoma partners with his father's former ranch hand to exact violent revenge.
The story of a gentle, unsure young woman who grows in maturity and self-reliance as she travels across the American plains in 1848 in a wagon train with her young husband and his family.
A young Texas Man who saw his father get killed by a group of bandits, decides years later to go to work for the Pony Express. But he is not just working around the country to deliver mail, he is actually finding the bandits who murdered his father.
Katharine Ross repeats her portrayal of Etta Place (from "Butch Cassidy and the Sundance Kid") in this adventure of the fugitive who, alone and desperate following the deaths of Butch and Sundance, seeks help from Pancho Villa in exchange for guns and ammunition.
During a Cavalry massacre at an Indian village, two brothers, searching for their captured sister, rescue a white woman long ago kidnapped by the Cheyenne. They ride for their lives, haunted by the chant of the tribal Death Song.
György Szomjas’s first feature—made after a decade of short documentaries—is a bold attempt at a goulash western, set on the puszta, or Great Hungarian Plain, in 1837. Mixing Miklós Jancsó imagery and a Sergio Leone narrative, this ballad-like saga opens with image of a lone horseman on the empty plain, riding past a rude gallows. The film concerns the vengeful return of a legendary betyár (outlaw), briefly a hero to the local herdsmen who oppose the state building a canal across their grazing land. Although Szomjas works from ethnographic records and archival material, it is hardly surprising that this violent, primitivist film would be more popular with Hungarian audiences than critics. Replete with young guns, crooked sheriffs, tavern brawlers and hardbitten plug-uglies, this widescreen film is strikingly shot by Elémer Ragályi (cinematographer for most of Gyula Gazdag’s films)—a feast of loamy, autumnal colors.