Eric Idle persuades Professor Brian Cox to present a lecture on the birth of the entire universe. Brian soon realises Eric is actually hosting a comedy and musical extravaganza.
George Thorogood Live at Rockpalast in 1980 goes from zero to 60 in no time with the opening track, “House Of Blue Lights,” the Chuck Berry classic. “I’m Wanted” has some nice breaks and is as steady as they come. “One Bourbon, One Scotch, One Beer,” is as lively and interesting as the studio version. It’s a ten-minute romp of hard luck and booze, and Thorogood plays it flawlessly. The second disc features some great slide work and features a nice routine of Elmore James including “Goodbye Baby (Can’t Say Goodbye)” and “New Hawaiian Boogie.” Another song Thorogood is well known for covering is “Who Do You Love?” and he plays this Bo Diddley standard with all the attitude of a rattlesnake on a bad day. Classic stuff.
Death By Audio, an underground art and music venue, is forced to close in 2014. The film focuses on the struggles of maintaining a community in the face of Brooklyn property development, hostile construction workers, and a one billion-dollar company.
Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.
A talented musician, about to trade his dreams for a safe career in his girlfriend's family business, finds his voice, but loses the girl, when a mysterious record label owner introduced him to a group of Brooklyn beatboxers.
One of the original members of the band Chicago, Terry Kath has been praised by icons like Jimi Hendrix and Joe Walsh for his voice and guitar playing. Michelle Sinclair, first-time filmmaker and Terry's daughter, searches for the truth surrounding the life and untimely death of her father, in this look at one of the most underrated guitarists in rock history.
No other band in rock'n'roll history has rivaled The Stooges' combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.
"How comes no one has ever made a film about The Melvins?" Well, no one has ever tried or thought it even possible.....until now that is. The Colossus Of Destiny - A Melvins Tale is a film about a band who have defied all the rules, for over 32 years and counting, and still managed to succeed and do it their own way. The journey of band members King Buzzo and Dale Crover leads us from the backwards-waters of the Chehalis River in Washington State, down through the Golden Gate of Northern California, and finally settling into the Los Angeles River Basin of Southern California. With the rest of the world thrown in along the way. You will witness first hand the beliefs and attitudes, values and obscenities, slows and fasts, triumphs and toils, loves and hates, wits and giggles of a hugely talented and influential band. And you will also come away with a lesson in how to survive in the wicked world of the music biz without taking yourself too damn seriously.
When a radio falls from the sky into the hands of a wide-eyed Tibetan Mastiff, he leaves home to fulfill his dream of becoming a musician, setting into motion a series of completely unexpected events.
When an American woman takes an impromptu journey to Mumbai too get away from her overbearing mother, she befriends an Indian woman striving to balance her family's culture with modern day demands. What ensues is an ethnic and generational mash-up that will leave audiences enthralled at the calamity of old-school traditions and contemporary lifestyle.
Here comes DEATH's probing and pulsing rock doc, DEATH BY METAL, pulling back the palm fronds of DEATH's origins in Altamonte Springs, Florida, and latching a narrative hook into the headstrong Chuck Schuldiner juggernaut for fifteen gratifying if sometimes frustrating years. As the baby steps become giant leaps, the stable of supporting players grows and continually shines in its own devious light.
When a hip hop violinist busking in the New York subway encounters a classical dancer on scholarship at the Manhattan Conservatory of the Arts, sparks fly. With the help of a hip hop dance crew they must find a common ground while preparing for a competition that could change their lives forever.
This project was done with humor, truth, and sarcasm. At the University of California, Santa Cruz, UCSC, where I went to college, there were many fans of The Grateful Dead. They called themselves Deadheads. I had not heard of the band before attending the school. I listened to the music, and I didn't understand why people felt so passionately about the band. I was intrigued. So in 1986, I decided to try and understand these people and the music they loved, and to create a video of my quest. This documentary project is the result. Enjoy.