A story about a burned-out sketch comedy director who quits a comedy troupe only to return to the theater for another show and encounters the same problems with the cast. This film is a Prequel to this Show Can’t Go On
A small town sports writer is forced to square off against a meathook-wielding psycho Killer. She combines forces with her father and the local Sheriff to track down and kill the mysterious stranger, known only as Bubba.
When a manipulative sociopath discovers her passion for stock market trading, she sets out to conquer the financial world, all from the confines of her basement apartment.
A musical documentary about the life and work of composer Charles Fox, known for pop hits such as 'Killing Me Softly with His Song', 'I Got a Name', 'Ready to Take a Chance Again', and iconic television show themes for Happy Days, Laverne & Shirley, The Love Boat and Wonder Woman.
The term “Afrofuturism” was coined decades ago to describe an artistic and cultural tradition that pre-dates the transatlantic slave trade. From the poetry of Phillis Wheatley, to Martin R. Delany’s alt-history novel Blake, to Sun Ra’s avant-garde music to Marvel’s Black Panther (the special’s premiere coincides with the release of that blockbuster film’s sequel, Wakanda Forever), the African American experience has been explored and reimagined through a speculative, even cosmically scaled lens for centuries, in a variety of artistic mediums. The special seeks to explore the concept through conversation and performance, as some of today’s most influential Black musicians, writers, dancers and theorists come together to share their ideas and artistry as they celebrate the historical and cultural impact of Afrofuturism.
After twenty years of friendship, Terrance and Noelle finally decide to date each other but ultimately break up when Terrance moves to London for work. Now that Terrance is back in Atlanta for Christmas with his new girl, also named Noelle, our lead is determined to get him back and say goodbye to being friend-zoned forever.
Following reports of fraudulent car clamping in Auckland, journalist and filmmaker David Farrier opens an investigation that pushes him to the limits of his sanity in this incredible true story of psychological warfare.
Interior designer Reilly finds herself this Christmas in the town of Mistletoe Lake with no place to stay. She accepts an offer from Ray to stay in his boat, helping him renovate the boat for the town's Christmas Harbor Festival.
Ria, a seven-year-old girl growing up in a village, is led by her mother to a place where a group of women from her community await her. Here she is mutilated by an unqualified cutter, who completes the cultural FGM-ritual that ensures she will one day be taken as a wife. The child, once old enough, goes on to be forcibly married and moved away from her family to the England. Eventually, Ria seeks help in escaping the life she is trapped in, but the life of her two younger sisters hang in the balance. Can she change her elders' minds and prevent them from being led down the same path? Or will they become three more of 200 million women across the globe whose wings have been crushed by FGM?
A successful lawyer, with a new wife and infant, agrees to care for his teenage son from a previous marriage after his ex-wife becomes concerned about the boy's wayward behavior.
A father of a family becomes involved in the crime of money laundering. Stressed by illegal businesses and the constant questioning of his wife, he will decide to take a break from the mafia, without knowing that it is impossible.
On Christmas eve, a tired detective bothered by the crime wave plaguing his city stops at the store to get a last-minute Christmas gift when he is taken hostage.
Was Roy Lichtenstein a great artist, a thief, or both? This is the question addressed by the feature documentary WHAAM! BLAM! Roy Lichtenstein and the Art of Appropriation. Along with Andy Warhol, Lichtenstein created the Pop Art movement of the 1960s. His comic-based paintings reside in the greatest art galleries and can fetch more than $150 million. But some view this renowned artist as a plagiarist. WHAAM! BLAM! focuses upon the last living comic artists whose work was “appropriated” by Lichtenstein, and they are not happy.
Can a tree be racist? A few years ago, debate on this issue reached as far as Fox News. The focus was a row of tamarisk trees along a huge golf course in Palm Springs, which screened off the neighborhood of Crossley Tract. This is a historically Black neighborhood, named after its founder Lawrence Crossley, who was one of the first Black residents to settle in the largely white tourist paradise, established on indigenous land over a century ago.
Koekie, Fluksie, Sanna and Jo-Marie live together in a safehouse in Bredasdorp, a small town in South Africa. This community of around 15,000 has been shaken by a series of rapes and murders of women. Community worker Lana O’Neill felt compelled to create a safe place for the most vulnerable women, so that what happened to Anene, Kayde, Sulnita and Jodene doesn’t happen to them too.
This portrait of a Chinese family centers on the paterfamilias, who at the age of 85 still works his land by hand every day, his wife, who feeds and slaughters the chickens, and one of their sons, who lives in an apartment in the city and spends his days keeping company with his television and a steady flow of alcohol.
In an unexplored vault in Belgrade, the capital of the former Yugoslavia, lies a collection of films known as “the Labudović Reels.” On them are images of African and Asian liberation movements and revolutionary leaders that defined the era of the 1960s. How is it that the archive of these revolutions lies on another continent, forgotten in a film archive? The answer to this question takes us into the story behind the images, on an intimate voyage with the man who filmed them. As the cameraman of Yugoslav president Tito, Stevan Labudović captured an era of politics, personality and promise, filming the birth of the Non-Aligned Movement. Sent on missions by the President to film liberation wars, he would play a key role in the information battles that defined the era of decolonization. Together with Ciné-Guerillas, this film diptych examines the legacy of these extraordinary archives, seeking to project their political vision forward.
This debut film by Alain Kassanda starts off as a process of self-examination: How well does he really know his grandparents? How true are his ideas about his birth country DR Congo, whose national identity was partly molded by the Belgian colonizers? And, by extension, how much does he know about himself? In Colette et Justin, Kassanda travels through time and his own past, in the process bringing postcolonial Congo to evocative life.