A visual record of London punk life in the late '70s, filled with never-before-seen live concert footage and commentary from the Clash, the Jam, X-Ray Spex and the Electric Chairs.
Drunken, has-been rock star John Norman Howard falls in love with unknown singer Esther Hoffman after seeing her perform at a club. He lets her sing a few songs at one of his shows and she becomes the talk of the music industry. Esther's star begins to rise, while John's continues to fall. She tries desperately to get John to sober up and focus on his music, but it may be too late to save him.
A Halloween-themed television special starring Paul Lynde which aired only once on October 29, 1976 on ABC. It features guest stars including Margaret Hamilton (who reprises her role as the Wicked Witch of the West), Billie Hayes (as Witchiepoo from H.R. Pufnstuf), Tim Conway, Roz Kelly, Florence Henderson, rock band KISS, Billy Barty, Betty White and, in an unbilled surprise appearance, Donny and Marie Osmond.
New York, 1929, a war rages between two rival gangsters, Fat Sam and Dandy Dan. Dan is in possession of a new and deadly weapon, the dreaded "splurge gun". As the custard pies fly, Bugsy Malone, an all-round nice guy, falls for Blousey Brown, a singer at Fat Sam's speakeasy. His designs on her are disrupted by the seductive songstress Tallulah who wants Bugsy for herself.
Nina Simone was one of the greatest female vocalists of the 20th Century. She was equally at home singing jazz, blues, soul, gospel or pure pop. Nina made four appearances at the Montreux Festival between 1968 and 1990.
Gene Kelly and Fred Astaire present more golden moments from the MGM film library, this time including comedy and drama as well as classic musical numbers.
Little Feat are one of the most influential American bands of the seventies. Founded by Lowell George and Bill Payne in L.A. during 1969; they produced a series of highly original albums over the next decade featuring an eclectic blend of rock 'n' roll, blues, country, folk, soul, and jazz before the death of Lowell George in 1979, which brought the first phase of the band's existence to an end. This set captures the band's performance at the famous Dutch festival Pinkpop on June 7th, 1976, and captures the band's classic line-up at the peak of their powers performing many of their best known tracks.
A Kentucky-born maiden realizes her dream of becoming a country music star. However, she discovers that her single-minded determination has caused her to lose things far more precious than fame or money when she gets involved with a group of corrupt music executives.
In the silent film era, movies were never really silent. In the background of films that made figures like Charlie Chaplin and Buster Keaton into cultural icons, were the musical giants whose compositions defined the very films that captivated a generation of movie-goers. Arthur Kleiner converses with the still-living legends from that bygone golden age of cinema.
The son of famous studio owner is forced to make porno films to keep the bankrupt studio from being made into a shopping center. In an attempt to get back on the high ground he makes a nudie musical. He makes a bet with the debtors who wish to take ownership of the studio, that if they finance the musical and he can't complete it within two weeks, they can foreclose.
Queen’s legendary Hammersmith Odeon show on Christmas Eve 1975 is one of the best recorded and dynamic early shows available. It occurs a month after A Night At The Opera was released and soon after it hit number one and was video taped for The Old Grey Whistle Test hosted by Bob Harris for BBC television. Most of the show was taped, but the BBC cameras were turned off when Queen came back onstage after the “Jailhouse Rock” encore to play a few more songs. The cameramen couldn’t capture this part of the show so after thirty-five years it remains unseen.
In the 19th century, Romantic composer/pianist Franz Liszt tries to end his hedonistic ways but keeps getting sucked back in by his seductive fellow composer Richard Wagner.
The intersecting stories of twenty-four characters—from country star to wannabe to reporter to waitress—connect to the music business in Nashville, Tennessee.
Record executives want a highly-regarded record producer to focus on a white pop act whom they feel has the sound America wants. To keep his creative integrity, Buckmaster carefully begins to fight the system that has made him the respected producer he has become.