The wicked fairy Carabosse is furious she wasn’t invited to Princess Aurora’s christening. She gives the baby a spindle, saying that one day the Princess will prick her finger on it and die. The Lilac Fairy makes her own christening gift a softening of Carabosse’s curse: Aurora will not die, but will fall into a deep sleep, which only a prince’s kiss will break. The masterful 19th-century choreography of Marius Petipa is combined with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. Recorded live as part of the Royal Opera House Live Cinema Season 2019/20 with encore screenings broadcast online during the #OurHousetoYourHouse programme.
This film follows Montreal-based thrash-metal band "Dealer" over the course of one weekend, for shows in both Toronto and the bands hometown of Windsor, Ontario.
Seventeen year old, music obsessed school girl Kat Malone tricks her way into managing struggling band Dollar Days, pretending to be a band manager in her twenties.
The decade that began with peace and love was shattered in the late 1960s amidst riots, assassinations and a war that wouldn't end. The Rolling Stones became the voice of this new era, which came to a horrific end at the Altamont festival.
This hilarious contemporary version of Francesco Cavalli's baroque opera Hercules in Love was commissioned on occasion of the marriage of Louis XIV, the Sun King, to Maria Theresa of Spain. The original production took two years to complete and was at the time the greatest show ever performed in Europe. Directed by David Alden, this surreal production is a triumph of commedia buffa resplendent with decorative and symbolic elements, and complemented by Constance Hoffman's exceptional costumes. Led by Ivor Bolton, a master of baroque music, the chorus of De Nederlandse Opera and Concerto Köln give a sublime performance. With Luca Pisaroni's (Ercole) singing being heroic and melodious in turn, and Veronica Cangemi as a splendid Iole, this is an outstanding production by the DNO. Filmed in High Definition and surround sound.
The 1990 show finds Hooker making a triumphant return to the Montreux stage with an expanded band that includes female vocalist Vala Cupp, an additional guitarist, and a sax player. After a raucous introduction boogie, Hooker delivers another hit-filled set with some new additions, including the title track from his 1989 album The Healer. His bone-shaking rendition of “I’m In The Mood For Love” is the ultimate in amorous blues and is positively percolating. A new slow blues simply called “Mabel” is noteworthy, too, and Hooker gives it his plaintive and soulful all.
Judy Collins - along with critically acclaimed Norwegian folk artist Jonas Fjeld and masterful Americana band Chatham County Line - invite you to a hootenanny at the Oslo Opera House. Filmed in February 2020 off the tails of the newly formed groups' critically-acclaimed studio release “Winter Stories.”
This documentary film focuses on the rapidly growing modular synthesis movement, the diverse artists creating soundscapes of emotionally charged content, and the developers pushing the boundaries of sonic invention with their community driven creations. Capturing this immediate creative vision and personal process from patch to pulse will be the journey we share.
Like a love song to differences, Turu, the Wacky Hen tells the story of a creature who, due to her particular appearance, becomes the object of ridicule for the rest of the henhouse. Her wiry legs and featherless back don’t startle Isabel, an ex music teacher who picks her for being so special. Turuleca doesn’t lay eggs because her hidden talent is another: she talks, she sings and she dances, giving it her all. Turu, the Wacky Hen is a full-color, animated party that invites us to move our bodies to its musical numbers, making us sing verses that have the power to turn us into children once again, if only for a little while.
A man searches for his childhood best friend, a Polish violin prodigy orphaned in the Holocaust, who vanished decades before on the night of his first public performance.
Melody Maker Magazine's Chief Contributing Photographer(1965-1975), Barrie Wentzell tells the story of the rise and fall of the magazine, which marked the end to a style of rock n' roll journalism that no longer exit's today.
Within this intuitive interpretation of Pink Floyd's music, there are secrets, enigmas and metaphors. The narrative is open ended, therefore open to individual interpretation, along the lines of: In the parallel worlds of the past and the future, two tribes struggle to survive on a dying planet, while attempting to communicate with the life force of earth itself. As time runs out, a monolith approaches from outer space, carrying within it a puzzle which they fail to understand. Is it a warning, or does it contain the secret to the survival of mankind?
Brothers Eli and Nick are genius cellists, but as they prepare to audition for the opportunity of a lifetime, they inadvertently steal a bag of money from a hitman. They are abruptly thrust into a world of crime, blackmailed to act as performing decoys during the thet of an eight-million-dollar painting. Suddenly, the brothers are no longer just fighting for a place in a prestigious music academy, but for their lives, too.