AWOL for more than half a century, but now back on parade, this cheery army comedy is a showcase for variety star Hal Monty and a young Max Bygraves. Missing in action for many years, this raucous comedy of army life, which looks back on the latter days of WWII, is a slam-bang showcase for the boisterous variety antics of comedian Hal Monty, seen here in his heyday performing rough and ready slapstick sketches aplenty. He’s accompanied by regular foil Les Ritchie, as his uptight sergeant, and comical crooner Max Bygraves, in his screen debut.
A sensitive, educated black man's World War II-time problems. This is essentially the duplicate of his peace-time problems which are pointed up in a flashback of his life, and primarily of his war-time adventures with four white soldiers on a dangerous reconnaissance mission on a Japanese-held island.
In a small town in occupied France in 1941, the German officer, Werner Von Ebrennac is billeted in the house of the uncle and his niece. The uncle and niece refuse to speak to him, but each evening the officer warms himself by the fire and talks of his country, his music, and his idealistic views of the relationship between France and Germany. That is, until he visits Paris and discovers what is really going on...
High-ranking officers struggle with the decision to prioritize bombing German factories producing new jet fighters over the extremely high casualties the mission will cost.
Red Skelton plays Aubrey Filmore, a feather-brained but lovable bellboy who dreams of becoming an agent for the Union's secret service during the Civil War.
Self-absorbed Dr. Lee Johnson enlists with the Army medical corps during World War II, more out of a feeling that it's "the thing to do" rather than deep-seated patriotism. On his first day, he's put into place by 'Snapshot', a sassy and attractive nurse. Their initial antagonism blossoms into romance. Lee then finds himself torn with guilt over being unfaithful to his wife, Penny, who's waiting for him back home.
In postwar Germany, a displaced Czech boy, separated from his family during wartime, is befriended by an American GI while the boy's mother desperately searches for him.
It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare.
Three former marines have a hard time readjusting to civilian life. Perry can't deal with the loss of the use of his legs. William is in trouble with bad debts. And Cliff can't decide what he wants to do with his life, although he gets encouragement from war widow Pat Ruscomb.
A pilot of a B 29 meets Louise Anderson, a singer in a New York nightclub. He falls in love with her, but he had to leave next day for action in the Pacific. He lets paint her picture on his bomber, the "Bamboo Blonde" and becomes a hero with his crew sinking a Japanese battleship and shooting down a Japanese fighter wing. Back in New York, he leaves his fiancée and engages him to Louise.
During World War II, a young boy and girl, living with their respective families in an apartment house that had restrictions against pets, adopt a lost dog and hide it in a vacant apartment, which may have been the only vacant apartment in the United States at the time this movie was being filmed. A burglar breaks in and the apartment is damaged when the dog and crook have a tussle. This blows the dog's cover, but the kids enlist him in the K-9 Corps, and the dog distinguishes himself in the WWII Italian campaign
Oscar winning postwar propaganda film in support of the United Nations Relief and Rehabilitation Administration. Strident but poignant, focusing on children. The film surveys the Nazi/Japanese atrocities, post-war devastation and the early relief efforts. This film was responsible for raising over $200,000,000, making it a top moneymaking film. Preserved by the Academy Film Archive in 2005.
A "know-your-enemy" propaganda film similar to "Know Your Enemy: Japan" and "My Japan", films about Japan with the same objective. It contains a history of the prelude to WW II, the death camps and other Nazi war crimes, and commentary on the character of the German people. Directed by Frank Capra, this film is in essentially the same format as his "Why We Fight" series. It was intended to be shown to American troops participating in the invasion and occupation of Germany. But by the time it was ready, events had overtaken it -- Germany was already well on its way to falling -- so the film was shelved. Although it is readily available for public-domain viewing on the Internet, it has never been widely distributed or shown.