A concert film documenting Talking Heads at the height of their popularity, on tour for their 1983 album "Speaking in Tongues." The band takes the stage one by one and is joined by a cadre of guest musicians for a career-spanning and cinematic performance that features creative choreography and visuals.
When his unmarried mother dies, custody of 13-year-old Job is assumed by his alleged father, Chris, whom he has never seen. Job is an enthusiastic cadet at a military academy, and Chris turns out to be a top-grossing rock star who removes Job from his beloved school to keep him company on tour. Getting acquainted is fraught with culture shock for both father and son. Written by Paul Emmons
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
A victim of his own anger, the Kid is a Minneapolis musician on the rise with his band, the Revolution, escaping a tumultuous home life through music. While trying to avoid making the same mistakes as his truculent father, the Kid navigates the club scene and a rocky relationship with a captivating singer, Apollonia. But another musician, Morris, looks to steal the Kid's spotlight -- and his girl.
Miles buys himself a state-of-the-art computer that starts expressing thoughts and emotions after having champagne spilled on it. Things start getting out of hand when both Miles and Edgar, the computer, fall in love with Madeline, an attractive neighbor.
"This Is Spinal Tap" shines a light on the self-contained universe of a metal band struggling to get back on the charts, including everything from its complicated history of ups and downs, gold albums, name changes and undersold concert dates, along with the full host of requisite groupies, promoters, hangers-on and historians, sessions, release events and those special behind-the-scenes moments that keep it all real.
Documentary / Music/Musical / Other - Never before has a film so enthusiastically captured the mood and spirit of this unique American art form. Five of the legends of Gospel music live in a concert extravaganza at the Paramount Theatre in Oakland, CA.
Hammersmith Odeon, London, July 3, 1973. British singer David Bowie performs his alter ego Ziggy Stardust for the very last time. A decadent show, a hallucinogenic collage of kitsch, pop irony and flamboyant excess: a musical symbiosis of feminine passion and masculine dominance that defines Bowie's art and the glam rock genre.
In a time when girls were forbidden to study religious scriptures, a Jewish girl masquerades as a boy to enter religious training and unexpectedly finds love along the way.
Taped at The Nassau Coliseum Uniondale, Long Island NY, on December 29, 1982. This 1983 VHS release from Fox/CBS includes the complete version of the concert originally taped for HBO.
It's five years later and Tony Manero's Saturday Night Fever is still burning. Now he's strutting toward his biggest challenger yet - making it as a dancer on the Broadway stage.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Alchoholic former country singer Mac Sledge makes friends with a young widow and her son. The friendship enables him to find inspiration to resume his career.
As a young child, Frederic had been apprenticed to a pirate by mistake when he should have been apprenticed to a pilot. Now, having reached his 21st year, Frederic's indentures are at last over and he happily leaves the service of the pirates. When Frederic meets the beautiful Mabel, one of the many daughters (or wards in Chancery) of Major-General Stanley, they fall in love and decide to marry. However, complications arise when the pirates decide to marry the rest of the Major-General's daughters, themselves - and Frederic's birthdate turns out to be not all it seems.
This is an extremely rare example of science fiction, Hong Kong style, but, fittingly, it's unlike any sci-fi flick you've ever seen. Alien abductions, suicide pacts, superstardom, and the reality of science fiction itself is spotlighted in this bright, crazy, truly out of this world epic -- one of the more unusual movies in the Hong Kong cinema of the early 1980s. And if you know 80's Hong Kong cinema at all, you know that's really saying something!
Gil Scott-Heron, one of rap's earliest (and unfortunately unknown) pioneers, gets his full due in Black Wax, the 1982 documentary recently reissued on video. Interspliced between performance footage of Scott-Heron and his Midnight Band are vignettes of him walking around Washington D.C., spouting his views on then-President Reagan (dubbed "Ray-Gun") and generally dropping knowledge. The live performance features many of Scott-Heron's best-known hits, including "Johannesburg," "Winter in America," and "Angel Dust," among others. Warm, intelligent, and insightful throughout, Scott-Heron is clearly enjoying himself and the opportunity to espouse his views. A must for any fan of Scott-Heron's, and definitely worth a look for fans of the funkier jazz music of the mid to late 1970's.
The 1983 show kicks off with a simmering version of Hooker’s mid-60s single “Serves Me Right To Suffer.” The Coast To Coast Blues Band puts down John Lee’s signature style of hypnotic rhythm behind him and Hooker works his minimalist magic on the assembled fans. The Hook has always defined what cool is all about and that presence is in full force here from the moment he hits the stage. He’s vibrant and captivating and the Montreux crowd clearly can’t get enough.