Kim Sung-Joon (Park Si-Hoo) worked as a pilot, but after becoming in deaf in his right ear he has worked on the ground. He becomes desperate. Kim Sung-Joon then meets Eun-Hong (Yoon Eun-Hye) on a blind date. Even though he doesn't love her, he gets married to Eun-Hong. After their marriage, Sung-Joon treats Eun-Hong with indifference. Suddenly, Eun-Hong dies. Kim Sung-Joon soon learns for the first time about her real heart and her first love. Holding Eun-Hong's urn, he seeks out her first love.
Here comes DEATH's probing and pulsing rock doc, DEATH BY METAL, pulling back the palm fronds of DEATH's origins in Altamonte Springs, Florida, and latching a narrative hook into the headstrong Chuck Schuldiner juggernaut for fifteen gratifying if sometimes frustrating years. As the baby steps become giant leaps, the stable of supporting players grows and continually shines in its own devious light.
Chen, a preoccupied doctor working in a small clinic in the rain-drenched city of Kaili, decides to fulfill his late mother’s wish and sets off on a journey to look for his brother’s abandoned child. His partner in the clinic, a lonely old lady, asks him to also find her former lover, giving him a photograph, a shirt, and a music cassette. On the way, Chen passes through a mysterious town where distinctions between past, present, and future appear to slip away.
More people are imprisoned in the United States at this moment than in any other time or place in history, yet the prison itself has never felt further away or more out of sight. This is a film about the prison in which we never see an actual penitentiary. The film unfolds a cinematic journey through a series of landscapes across the USA where prisons do work and affect lives, from an anti-sex-offender pocket park in Los Angeles, to a congregation of ex-incarcerated chess players shut out of the formal labor market, to an Appalachian coal town betting its future on the promise of prison jobs.
A nameless man wanders the city, littered with necrotic artifacts and a trail of corpses. Are his grotesque hallucinations clues to a violent past? Or are they premonitions?
Artist Dryden Goodwin's first feature-length essay film, focuses on four individuals with extraordinary relationships to looking: an international eye surgeon, a NASA planetary explorer, a leading human rights lawyer and the artist/filmmaker himself. Mixing Goodwin's closely observed drawings, live action and intricately woven soundtrack, the film explores different scales, forms and reasons for looking, in a poetic and metaphysically charged journey.
A sound journey accros the mountains, deserts and forests of Ethiopia and its cultural universe. Roaring Abyss will take you through an inedit collection of music recordings of unvaluable importance for the transmission and preservation of the African heritage.
With rare film material, this documentary creates a unique portrait about The Beatles, as John Lennon, PaulMcCartney, George Harrison and Ringo Starr are back to conquer the United States with their first full fledged North American tour in 1964.
Guy is an experienced British fighter pilot who is in command of Britain's first manned mission to space. He has trained for this for three years at the height of the Cold War and now he is alone in space with a malfunctioning capsule. He has limited contact with the UK, some unusual communication with the US and some unorthodox communication with Roscosmos deep in Soviet Russia. Who will help him? Will he make the right choice?
Pulcinella, a foolish servant, is sent from the depths of Mt. Vesuvius to present-day Campania to grant the last wish of poor shepherd Tommaso, who spent his whole life looking after a crumbling Bourbon estate: his mission is to save a young buffalo named Sarchiapone. Pulcinella takes the buffalo north and the two servants, man and beast, travel through a beautiful and lost Italy.
Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners' hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.
When a fracking mishap accidentally rips apart the earth’s crust, the resulting hole opens up a gaping underground water way to a vast and mysterious ocean somewhere deep below. Instantly, giant prehistoric sharks begin wending their way upward toward a murky bog in the heart of the Arkansas Bayou. Unfortunately, for a group of female prisoners on a work detail in the swamp, the deadly sharks attack without warning – pinning a hapless group of intended victims in a small deserted cabin in the heart of the wetlands. Death may be the only means of escape!
In the hazy aftermath of an unimaginable loss, Sarah and Phil come unhinged, recklessly ignoring the repercussions. Phil starts to lose sight of his morals as Sarah puts herself in increasingly dangerous situations, falling deeper into her own fever dream.
Victor Matellano directs this tale set in a stately English manor inhabited by two older female vampires and with their only cohabitant being a man imprisoned in the basement. Their lives and lifestyle are upended when a trio of campers come upon their lair and seek to uncover their dark secrets, a decision that has sexual and blood-curdling consequences.
Chun-su arrives in Suwon one day earlier than scheduled. He has a special lecture to give the next day. Chun-su decides to visit a palace and meets Hee-jung there. Hee-jung is a painter and she lets Chun-su see her workroom with her paintings. In the evening, they go out eat and drink together. There, Chun-su reveals something unexpected to Hee-jung.
Two assistants, Lee Xiang and Kat, start new jobs at the financial firm Jones & Sunn. Lee Xiang is an earnest young man who naively enters the world of high finance with noble intentions. Kat on the other hand has a secret.