A look at life’s bittersweet simplicity as we follow a boy and a girl from childhood to old age with their years marked by Singapore playgrounds from days gone by.
At a time when the moon could be reached by ladder, Captain Millipede, his daughter, a deaf milk miner, a beautiful accordionist, and a wannabe pole dancer make their final expedition unaware of what they had, blind to what they'd lose.
Abandoned by his owners, a feisty and playful dog joins a pack of strays and embarks on a journey filled with fun and life lessons in their pursuit to find a new and loving home.
A young girl who accidentally breaks her father's cherished watch sets out to sell homemade baskets to pay for its repair, but things don't go as planned in this story of mistake and forgiveness.
Zero One is a code-based generative video commissioned by Zero One Technology Festival 2018 in Shenzhen, PR China. This project consists of multiple interlinked generative systems, each of which has its customized features, but collectively share the core concept of an evolving elementary cellular automaton.
Psychotherapist Ruben Brandt becomes the most wanted criminal in the world when he and four of his patients steal paintings from the world's most renowned museums and art collections.
In a dystopian world, male shoes dominate and the females—high-heels with spindly vines—are kept strictly for breeding purposes. Under disguise, a female breaks loose and attempts to move beyond her confines. Her attempt alters not only her fate but the very fabric of society.
Freaks of Nurture is an animated short about a neurotic mother-daughter relationship inspired by the filmmaker’s own unorthodox upbringing with her single-parent mom, who is also a foster parent and dog breeder. Self-deprecating and bursting with energy, the film reveals that no matter how grown-up we think we are, we never quite stop craving the love and support of a parent.
As Theo and Celeste play a game of 'would you still be my friend if' to test their new friendship, their hypothetical questions become reality, forcing them to confront their deepest fears and strongest yearnings.
The film was made specifically for a group show in Vienna (curated by Clint Enns and Madi Piller) titled From A to Z, that reflects on Micheal Snow’s 1956 animated film of the same name, and his multiplicity of approaches which fluidly transition between media and form. The piece is an endless barrage of hyperlinked cable television commercials. With equal doses of satire and nostalgia, the promised pleasures of late consumer capitalism are deconstructed through a contemporary form of détournement.
A lonely walk home is intertwined with an underwater fantasy world. The relationship between reality and fantasy is portrayed in a love letter addressed to an imaginary "perfect" man. The film displays a critical, female point of view on the idea of romantic modern love in western society. Its main purpose is to dismantle the "knight in shining armor" myth.
Manivald is a fox in his early 30s. He is still living at home with his mother. One day a young hot wolf called Toomas comes to fix the washing machine. A love triangle develops between the three of them. Things get out of hand and Manivald realizes that it is time to move out.