The first musical comedy from the Grand National assembly line, Hats Off stars John Payne and Mae Clarke as rival press agents Jimmy Maxwell and Jo Allen. Both have been assigned to stir up publicity for separate expositions at the 1936 Texas Centennial (newsreel footage of which predominates throughout the film's short running time). To throw Jimmy off the track, Jo pretends to be a schoolteacher, but by the time the ruse has been revealed, the two leading characters have fallen in love.
At an orphanage, the children are sad because they received used defective toys as gifts. Professor Grampy sees the children while passing by in his sled and has an idea on how to give them a merry Christmas.
At the Texas Centennial in Dallas Autry confuses two girls by being himself and his own stunt double. When cowboy star Tom Ford disappears, Wilson gets his double Gene Autry to impersonate him. But Ford owes gangster Rico $10,000 and Rico arrives to collect. He fails to get the money but learns that Autry is an impersonator and now blackmails Wilson and his movie studio. Original version runs 71 minutes, edited version runs 59 minutes.
John Zinga, a descendent of slaves, has an ancient medallion around his neck and a fragment of song passed down generations. He is an English dockworker with a magnificent voice and a yearning to learn his roots.
An American circus performer finds herself the victim of racism after it is revealed that she's the mother of a mixed-race child. In the midst of the public scandal, she finds happiness, love, and refuge in the USSR.
Jonathan Pride is a mild-mannered dance instructor in 1820 Boston. En route to visit relatives, Jonathan is shanghaied by a band of zany pirates and forced to work as a galley boy. When the pirate vessel arrives at the port of Las Palomas, Jonathan, clad in buccaneer's garb, makes his escape. Everyone in Las Palomas, including Governor Alcalde (Frank Morgan) and fetching senorita Serafina (Steffi Duna), assumes that Jonathan is the pirate chieftain, leading to a series of typical comic-opera complications.
When the ancient continent of Mu sank beneath the ocean, some of its inhabitant survived in caverns beneath the sea. Cowboy singer Gene Autry stumbles upon the civilization, now buried beneath his own Radio Ranch. The Muranians have developed technology and weaponry such as television and ray guns. Their rich supply of radium draws unscrupulous speculators from the surface. The peaceful civilization of the Muranians is corrupted by the greed from above, and it becomes Autry's task to prevent all-out war, ideally without disrupting his regular radio show.
Merry Fellows was the first Soviet musical comedy. Set in Odessa and Moscow in the 1930s. Shepherd Kostya Potekhin (Utyosov) is mistaken for an international concert star. He falls in love with Anyuta (Orlova) and plays the "star" for her. In a cascade of comic musical numbers he becomes the leader of a Jazz-Band and gives a hilarious show at the Odessa Music Hall. Now he is destined to perform at the Bolshoi Theatre in Moscow.
A wagon train heads west from Independence, Mo., along the Oregon Trail, led by proud cowboy Clint Belmet. On board are feisty young widow Nancy Wellington and her toddler, Sonny, as well as the older Abby Masters, who begins a romance with scout Jim Burch. Along the way, the wagon train battles Indians led by Kenneth Murdock, a trapper who doesn't welcome competition for Oregon's lucrative fur trade. Wagon Wheels is a 1934 remake of 1931's Fighting Caravans, using stock footage from the original.
Johann Strauss Jr. is forced by his father to forget music and to work in a bakery, where he falls in love with Resi, the baker's daughter. The girl gets jealous when a contessa asks Strauss Jr. to write a waltz for her.
A kind-hearted young man is thrown out of his corrupt home town of West Rome, Oklahoma. He falls asleep and dreams that he is back in the days of olden Rome, where he gets mixed up with court intrigue and a murder plot against the Emperor.
Unscrupulously ambitious, Brutus Jones escapes from jail after killing a guard and, through bluff and bravado, finds himself the emperor of a Caribbean island.
One of the short little films featuring Don Aspiazu of his own orchestra, a good example of the style of Cubano jazz in the 1920's and 1930's, combined with some sporadic, picturesque images of contemporary Cuba.