A mischievous, adventuresome fourteen-year-old girl and her best friend begin following an eccentric concert pianist around New York City after she develops a crush on him.
An undertaker who hasn't had any 'customers' in a long time is forced to pay one year's back-rent. To get money he starts to kill people, which brings absurd results.
After Regina Lampert falls for the dashing Peter Joshua on a skiing holiday in the French Alps, she discovers upon her return to Paris that her husband has been murdered. Soon, she and Peter are giving chase to three of her late husband's World War II cronies, Tex, Scobie and Gideon, who are after a quarter of a million dollars the quartet stole while behind enemy lines.
Ageing, wealthy, rancher and self-made man, George Washington McLintock is forced to deal with numerous personal and professional problems. Seemingly everyone wants a piece of his enormous farmstead, including high-ranking government men and nearby Native Americans. As McLintock tries to juggle his various adversaries, his wife—who left him two years previously—suddenly returns. But she isn't interested in George; she wants custody of their daughter.
A group of strangers come across a man dying after a car crash who proceeds to tell them about the $350,000 he buried in California. What follows is the madcap adventures of those strangers as each attempts to claim the prize for himself.
Phileas Fogg III, great grandson of the original Phileas Fogg, accepts a bet to duplicate his great grandfather's famous trip around the world in response to a challenge made by Randolph Stuart III, the descendant of the original Fogg's nemesis. Unbeknownst to anyone, However, "Stuart" is the infamous con man Vicker Cavendish who made the bet in order to cover up his robbing the bank of England by framing Fogg for the crime. This makes for a dangerous journey for Fogg and his servants (the stooges) and Amelia Carter, whom they rescue from thugs during a train ride. Can they make it back to England in time ?
El rey del tomate ("The Tomato King") is a 1964 Mexican comedy-drama film, directed by Miguel M. Delgado and starring Eulalio González, Luz Márquez, and Emma Roldán.
Anthropology Professor Robert Orwell Sutwell and his secretary Marianne are studying the sex habits of teenagers. The surfing teens led by Frankie and Dee Dee don't have much sex but they sing, battle the motorcycle rats and mice led by Eric Von Zipper and dance to Dick Dale and the Del Tones.
A returning moon capsule goes off course and lands in Africa where a little-known tribe finds it. Washington sends Matthew Merriwether to recover it—thinking he's an expert on the region—when in fact he's no such thing. However, a foreign power sends Secret Agent Luba to try and acquire the capsule for itself and, when Matthew and Luba reach their destination, they find that the tribe believes the capsule to be sacred and won't give it up.
A timid, nearsighted chemistry teacher discovers a magical potion that can transform him into a suave and handsome Romeo. The Jekyll and Hyde game works well enough until the concoction starts to wear off at the most embarrassing times.
Sequel to The Mouse that Roared; The Tiny Country of Grand Fenwick has a hot water problem in the castle. To get the money necessary to put in a new set of plumbing, they request foreign aid from the U.S. for Space Research. The Russians then send aid as well to show that they too are for the internationalization of space. While the grand Duke is dreaming of hot baths, their one scientist is slapping together a rocket. The U.S. and Soviets get wind of the impending launch and try and beat them to the moon.
Etienne makes a good living out of marrying off poor but titled young men to rich but untitled young ladies. Millicent is now in his sights on the Riviera, and Grand Duke Gaspar is the bait. But what if Millicent starts to fancy planted chauffeur John instead, and Gaspar takes a shine to Etienne's secretary Janine?
The film, which is an ode to Rafael Hernández's song "Lamento borincano", is a social commentary of the political and social policies of the 40's and 50's which led to the abandonment of what was seen by many as the "pure", "virtuous" life of the finca (farm) for the "corrupting" influence of urban centers like San Juan and New York City.