Captures the most iconic moments from a one-night-only concert event honoring Merle Haggard and his music on what would have been his 80th birthday. Packed with captivating live performances, never-before-seen interviews and exclusive behind-the-scenes footage with some of music’s biggest superstars.
After years of organizing fashion in the city, Lauren decides to move home. In exchange for her organizing services, mover Rob makes it his mission to help her see the beauty of Seattle.
Experience the terrifying air and sea war of WWII as it was fought in Europe and the Pacific. Digitally remastered close-up uncensored footage and sound puts you behind the shoot-to-kill gun sights of American and Nazi fighters. See P-51s, P-47s, P-38s and P-40s as they charge into battle. Watch air-to-air pursuits, aerial shootdowns, factory, train and ammo dumps strafing.
From Executive Producers Jewel and Deepak Chopra, comes "The Mindfulness Movement," a feature documentary that examines the growing number of people throughout society who are working to create a healthier, happier world by spreading mindfulness - a peaceful quality of attention anyone can develop by simply focusing on the present moment in a non-judgmental way.
Lupita and Toña work as housemaids at the Ruíz Palacio’s house, an aristocratic Mexican family. For a long time they have been mistreated and poorly paid. They’re now fed up with the abuse and lack of respect they get from their employers.
When madly in love high school graduates Riley and Chris are separated by a tragic car accident, Riley blames herself for her boyfriend's death while Chris is stranded in limbo. Miraculously, the two find a way to connect. In a love story that transcends life and death, both Riley and Chris are forced to learn the hardest lesson of all: letting go.
A single mom moves to a small town hoping for a fresh start. Soon she discovers dark secrets hidden in this quaint town that she may not be able to escape.
Set on Christmas Eve, eight days after the war ends, survivor Kate discovers a mysterious radio signal and befriends the voice. As she embarks on a journey to find its origins, Kate encounters the isolation and horror of a nuclear war and the failed hope of those who survived.
After the tragic death of their daughter, Julie and Dennis decide to donate her organs. They opt out of initiating any contact with the recipients but remain open to meeting if someone reaches out–and someone does. Vera contacts Julie and Dennis to tell them how grateful she is to have their daughter’s heart. But the more time Julie and Dennis spend with Vera, the more she begins to cross boundaries and wreak havoc on their lives
A bereaved Satanist couple kidnap a pregnant woman so they can use an ancient spellbook to put their dead grandson's spirit into her unborn child, but they end up summoning more than they bargained for.
When Karina becomes friends with Lena and her daughter Mallie, she begins to suspect that Mallie isn’t Lena’s daughter at all, but a girl named Emily who was kidnapped from her biological parents several years prior.
Susan has always been the self-centered oddball in her family who lazily skated through life with their begrudging support until one day she wakes up to realize she’s middle-aged with no job, no relationship, and an increasingly estranged family. She finally decides to take charge and turn things around, but never having done anything herself before, the struggle is real (and hilarious) as Susan becomes the woman she always wanted to be, all on her own.
Career driven Abby agrees to help her busy boss find the man of her dreams, but she encounters a dilemma when she starts falling for the same man her boss approves of dating.
Based on the struggle of young people in Goma (Northeastern Congo) against the prevailing Western reporting about war and misery, Stop Filming Us investigates how these Western stereotypes are the result of a skewed balance of power. Stop Filming Us creates a cinematic dialogue between Western perceptions and the Congolese experience of reality. While the Congolese perspective becomes increasingly clearer in the film, questions arise about the perspective of the film itself; is a white director able to make a film about the new Congolese image or is it primarily a story created by his own Western perspective?