Traces the long and ferocious rivalry between Coke and Pepsi, centered on the “New Coke” debacle of 1985. For almost a hundred years, Coke had been the undisputed leader in the multibillion dollar global soda industry–stodgy, predictable, but indisputably top dog–while Pepsi had been the upstart No. 2, forever poking at its big brother with cutting edge advertising. But in 1985, in a stranger-than-fiction twist, Coca-Cola’s executives took a step so daring that no one in either company could believe it: they changed the formula of the most popular beverage on the planet.
John Light is one of the most dangerous inmates in Arizona's State Penitentiary. But he has stunned both guards and inmates alike, by accepting Christ in a prison bible study. Upon his release, he's anxious to share his new faith with the outside world. However, looking more like a thug than a theologian, the outside world is terrified of him. His only allies are his meek and mild Christian mentor, Matt Garrett and his no nonsense parole officer.
19-year old CJ, has lost touch with her childhood friend, Sophia, ever since she left small-town Willow Springs for college the year prior. Realizing how much they've grown apart, Sophia insists that CJ spends fall break at her grandfather's cabin, where they used to spend summers together. Reluctant, CJ gathers her new group of friends to join her for a fall escape they won't soon forget. Jocelyn and Amber, city girls at heart, embrace the wooded retreat but their excitement quickly turns to dread when they discover a vagabond living in a run-down trailer on the property.
Heaven's daughter Annie finds herself orphaned and crippled. Whisked off to Farthinggale Manor by Tony Tatterton, Annie pines for her lost family, especially for her half-brother Luke. Without the warm glow of Luke's love, she is lost in the shadows of despair and forced into submission by nurse Broadfield. When Annie discovers a cottage hidden in Farthinggale's woods, the mystery of her past deepens. Even as she yearns to see Luke again, her hopes and dreams are darkened by the sinister Casteel spell.
Living in the lawless Ishinari District in a future Japan, sisters Ami (Hina Nagimiya) and Yoshie (Hanakage Kanon) who sold their bodies to help their parents, try to earn a living performing as an idol group in the area. When their performance causes stranger Matsukata (Tak Sakaguchi) a notorious hitman, to notice their condition, the three realize their worth to each other in the fight against Aoyama Dharma (Kimono Negishi), the female boss of a notorious organ harvesting ring in the area. Realizing that even their skills are no match for her army of goons and henchmen, the two are outfitted with special homemade weaponry to their bodies and become the ultimate killers.
Michelle, a young teen in Colorado, loses her faith amidst extreme hardships and brief homelessness. With a mother battling drug and alcohol addiction since she was little, and war veteran father battling extreme PTSD, violence and dysfunction are the norm. But with a grandmother strong in her faith, and new friendships at school that break down walls, Michelle begins to realize that sometimes hardships often prepare ordinary people for an extraordinary destiny.
Anti-Nowhere League: We Are The League tells the full uncensored story of how a biker, a skinhead, a grammar school boy and a Persian exile came together, with no musical talent or ambitions and even less respect for anything or anyone, to burst onto the UK charts with their debut single. Even when judged by the often confrontational standards of U.K. punk, the Anti-Nowhere League were a band committed to offending people. Looking less like a group of bohemian rebels than an especially unsavory biker gang eager to stomp someone, the Anti-Nowhere League made an immediate impact when they burst onto the British rock scene in 1980. They were heroes to hard-boiled U.K. punks, and to nearly everyone else they were an affront to all decency - which, of course, made the punks love them all the more.
Văn comes back to Saigon from the US with his boyfriend Ian to visit his mother. Being the male heir of the family, everyone expects him to take a wife soon. And to top it all, his grandmother, who has Alzheimer, mistakes Ian for her grandson.
In a remote village on the Kazakh steppe, Mariam lives with her husband and four young children in a home without light or water. One winter day, her husband disappears. Without a body, he cannot be declared dead and Mariam is unable to receive state financial support. A very reserved person who buries her emotions, she must face survival of her family on her own in the harsh, rural winter. Inspired by actual events in Mariam's life, who portrays herself in a film that blurs documentary and drama as it paints her life's mundane details.
Summer 2017, a string of brutal police killings of young African American men has sent shockwaves throughout the country. A Black community in the American South tries to cope with the lingering effects of the past and navigate their place in a country that is not on their side. Meanwhile, the Black Panthers prepare a large-scale protest against police brutality.
When architect-turned-recluse Bernadette Fox goes missing prior to a family trip to Antarctica, her 15-year-old daughter, Bee, goes on a quest with Bernadette's husband to find her.
This is the gritty story of Amber, a teen girl from Los Angeles, who has been sex trafficked, and her healing at a ranch in Arizona, called Rancho Milagro.
A devastating highway accident in April 2018 thrust Humboldt, Saskatchewan into an international spotlight and voices from across the globe responded with sorrowful condolences, vigils and tributes. As the shock subsided and the world stepped back allowing the community to grieve, the directors of Humboldt: The New Season remained near the families. This is a story of healing without ever forgetting or letting go.
The first career-spanning documentary retrospective of Lydia Lunch's confrontational, acerbic and always electric artistry. As New York City's preeminent No Wave icon from the late 70's, Lunch has forged a lifetime of music and spoken word performance devoted to the utter right of any woman to indulge, seek pleasure, and to say "fuck you!" as loud as any man. In this time of endless attacks on women this is a rallying cry to acknowledge the only thing that is going to bring us together - ART...as the universal salve to all of our traumas.