"The County Fair" begins with a nasty rich guy threatening to turn an old lady onto the street--unless her niece (who lives with her) marries this man's son. While she's dead set against it, the niece is a sweet thing and would do anything to help her aunt--even marry the rich jerk. However, a possible way out is presented. When a poor young man is taken in and fed, he turns out (naturally) to be a jockey and thinks he can win the $3000 prize at the fair and save the farm.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
Abandoned by her fiancé, an educated black woman with a traumatizing past dedicates herself to helping a near bankrupt school for impoverished black children.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
John Schuyler, a happily married lawyer, is appointed diplomat and sent to England. Due to an unfortunate accident, his wife and child can not come along with him. On the ship to England, Schuyler meets the notorious Vampire - a relentless gold digger who causes the moral degradation of those she seduces, first fascinating and then draining the very life from her victims.
"Mireille" was filmed at the end of May, 1906, by a small team including Alice Guy, Herbert Blaché, Louis Feuillade and Yvonne Mugnier-Serand at the estate of the Marquis Folco de Baroncelli-Javon in Camargue, during their visit to Nîmes to attend the Gran Corrida organized by the local press association. Ultimately, the film never saw the light of day due to technical problems. (Maurice Gianati et Laurent Mannoni (dir.), Alice Guy, Léon Gaumont et les débuts du film sonore, New Barnet, John Libbey Publishing, 2012, p. 45).