Dolly Parton is celebrating a half-century of being an official Grand Ole Opry member with “Dolly Parton: 50 Years at the Opry,” a two-hour special that airs on NBC. The special is a celebration of Parton’s 50 years as a member of the Grand Ole Opry. It will feature new interviews as well as a performance from Parton on the Opry stage where she’ll deliver some of her biggest hits in front of a live audience. In addition, her superstar friends – Dierks Bentley, Emmylou Harris, Chris Janson, Toby Keith, Lady Antebellum, Margo Price, Hank Williams Jr., and others – will also be on board to celebrate Parton’s career and perform.
Ruled by social media and internet fame, today's music industry has become much more about industry and much less about music. We judge music by the numbers associated with it, and often times we listen with our eyes. This phenomenon inspired a group of music industry dropouts to embark on a 10,000-mile tour through big cities and small towns in search of talented musicians that have fallen through the cracks. The mission is to create an album of original music, produced on the road in a collaborate manner, that tells the stories of our unsung musical heroes
Imagine hanging out with Charlie Parker and Dizzy Gillespie, hearing them jam together, trading riffs, then riffing with words and trading stories. Bird and Diz are gone, but giants still walk among us. One of those giants is Buster Williams. Buster has played with everyone - Miles, Sarah Vaughan, Nancy Wilson, Art Blakey, and on. In this intimate portrait, Buster trades stories, and plays, with some of the world's greatest musicians - Benny Golson, Herbie Hancock, Christian McBride and others, and takes us on a journey through his life, legacy, and America's greatest art form - the truly universal music called Jazz.
An estranged mother/daughter country music duo reunite after 10 years apart to release a Christmas single after a video of them goes viral. Now, they’re going to need a lot of forgiveness and a little Christmas magic to write a song that perfectly captures the spirit of Christmas and brings their family back together.
Francesco Cavalli, a natural successor to Monteverdi, was the most famous and influential Italian opera composer during the mid-17th century. Cardinal Mazarin, chief minister to the king, commissioned Cavalli to create a Parisian spectacle to celebrate the wedding of the ‘Sun King’ Louis XIV and the Infanta of Spain. Ercole amante (‘Hercules in Love’) was the flattering subject chosen for this regal extravaganza combining larger-than-life characters with mythology, and genuine human emotions with natural and cosmic phenomena. The result is a sumptuous Baroque spectacle, conceived on a vast scale in this lavish production by directors Valerie Lesort and Christian Hecq.
Sister filmmakers Julie Simone and Vicki Vlasic return to their Appalachian roots to film at the world's oldest Fiddler's Convention. With multiple generations jamming together, Fiddlin' is a love-letter to American roots and the uplifting power of music.
Five vastly different high school girls are assigned to lead an anti-bullying assembly, and in doing so, accidentally form a girl group that they call Drama Drama. The assembly is a hit, and a classmate convinces them to form a real band. As they write songs together, play at the homecoming dance, and prepare for a concert outside school, the band must navigate their own teenage drama: boys they like, jealous 'frenemies', the stress of passing their final year, and deciding their futures.
A historic drama with musical Bollywood scenes. Kabul in the early 90s. Soviet values rule the country. Women can wear miniskirts, children can go to school and people can go to the cinema, concerts as well as universities. Life in Afghanistan is similar to life in the Western world. 14 years old Qodrat sells cinema tickets on the black market in the streets of Kabul. After selling a ticket to a secret police officer by mistake, he ends up at the Soviet orphanage, where he fakes his identity at the registration, in hope of getting more power. Everyday life for Qodrat is about friendships, falling in love, doing naughty things and going on adventures – just like it is for children in other parts of the world. However, behind the safe walls of the orphanage the world they once knew is drastically changing as the Mujahideens start the civil war.
Anti-Nowhere League: We Are The League tells the full uncensored story of how a biker, a skinhead, a grammar school boy and a Persian exile came together, with no musical talent or ambitions and even less respect for anything or anyone, to burst onto the UK charts with their debut single. Even when judged by the often confrontational standards of U.K. punk, the Anti-Nowhere League were a band committed to offending people. Looking less like a group of bohemian rebels than an especially unsavory biker gang eager to stomp someone, the Anti-Nowhere League made an immediate impact when they burst onto the British rock scene in 1980. They were heroes to hard-boiled U.K. punks, and to nearly everyone else they were an affront to all decency - which, of course, made the punks love them all the more.
Inspired by stories of Polish musicians from the 1930s and 40s. Two young lovers, Robert, a Catholic opera singer, and Rachel, a Jewish violin virtuoso, dream of one day performing together at legendary Carnegie Hall. When they're torn apart by the German invasion of Poland, Robert vows to find Rachel, no matter what the war may bring. His search leads him on a life-threatening journey through the heart of Nazi Germany, to a reckoning that Rachel may be lost to him forever.
An in-depth exploration of a seminal moment in DC music history (circa 1976 to 1984) and the rise of harDCore. The film is made up of a mix of rare archive material, conversational interviews, and a collage editing style. Features early DC punk and hardcore bands like Bad Brains, Minor Threat, Slickee Boys, The Faith and more.
Paris, 1978. In a male-dominated music industry, Ana uses new electronic machines to make herself heard, thus creating a new sound that is destined to mark the decades to come: the music of the future.
The first-ever audio-visual recording of this opera – directed by Christof Loy, conducted by Marc Albrecht and with Sara Jakubiak, Brian Jagde and Josef Wagner in the leading roles