Black Feminist is a feature length documentary film surrounding the double edged sword of racial and gender oppression that black women face in America. This documentary is told through interviews from scholars, lecturers, writers, business owners, veterans, comedians and authors. In addition to information interviews, this documentary is narrated by an animated character LaToya Johnson, played by Nadirah Lugg.
Thrust into the limelight for discovering the secret of life at age 25 with Francis Crick, influential Nobel Prize-winning scientist James Watson has thrived on making headlines ever since. His discovery of DNA’s structure, the double helix, revolutionized human understanding of how life works. He was a relentless and sometimes ruthless visionary who led the Human Genome project and turned Harvard University and Cold Spring Harbor Laboratory into powerhouses of molecular biology. With unprecedented access to Watson, his wife Elizabeth and sons Rufus and Duncan over the course of a year, American Masters explores Watson’s evolution from socially awkward postdoc to notorious scientific genius to discredited nonagenarian, also interviewing his friends, his colleagues, scientists and historians.
The Women Weavers of Assam focuses on the craft, labour and the everyday lives of a group of women weavers in India’s northeastern state of Assam. The weavers belong to a non-profit collective called Tezpur District Mahila Samiti (TDMS), which was founded a century ago by women activists and Gandhian freedom fighters of Assam. The TDMS weavers preserve traditional motifs and methods of Assamese weaving, which have been declining since the introduction of mechanized cloth production in India. Montages of weaving blend with the weavers' accounts of their personal experiences, generating an evocative representation of the environment and the rhythms of TDMS, and the cultural significance of hand-weaving as a craft and industry in Assam.
The film is part of the Guardians of Productive Landscapes series and a sequel to 'Abraham and Sarah I: Creators of a productive landscape'. A Tigrean farmer and his wife, who host pilgrims to a festival at the Gundagundo monastery, have gained the biblical names Abraham and Sarah. We see Sarah and other women prepare food and drink for the pilgrims, while Abraham and other men erect a shelter. At dawn dozens of pilgrims descend the steep escarpment, eventually arriving at Gundagundo where celebrations are in full swing. We witness highlights of the festival, and the pilgrims' return to the homestead of Abraham and Sarah. Here they receive food, drink and shelter, and sing the praises of their hosts. At midnight visitors arrive with an old, sick monk. Before the guests depart next morning, a monk thanks and blesses Abraham and Sarah.
Growing concern among young Aboriginal community leaders, particularly those in the Borroloola Men's Group, drew them to the idea of re-enacting a walk that hadn't occurred for almost thirty years. The Buwarrala-Journey is a traditional walk for the Garrwa, Yanyuwa, Mara and Gurdanji peoples of the Gulf of Carpentaria in northern Australia. Practiced for generations as part of the initiation of young boys, the walk was re-enacted in 1988 and documented in the film, Buwarrala Agarriya - Journey East. Gadrian Jarwijalmar Hoosan was twelve years old then and was one of four boys or Daru – boys who were prepared for their initiation ceremony. As an adult he had become a mentor to younger men, and directed a new film to record the new re-enactment of the walk in late 2017. The walk involved over one hundred community members - children, their families, teachers and volunteers, who covered a distance of seventy kilometres in seven days.
Enset, which is related to the banana plant, is very drought resistant and a good source of carbohydrates (in the stem and underground bulb). Enset has been farmed from time immemorial in the Gamo Highlands of southern Ethiopia, where women are the main cultivators. The film focuses on Aiye, the filmmaker's grandmother, who shares her knowledge about the enset plant, and shows how it is possible to produce good organic food by using simple farming tools and natural fertilizers. We see how she and a young kinswoman cultivate (using animal dung and organic waste to fertilize the plants), propagate (generating suckers from the corm), harvest (digging up the plant) and process (scraping and fermentating) the enset, and finally produce a variety of nutritious dishes.
Why does the Pigeon have to go to school? He already knows everything! And what if he doesn't like it? What if the teacher doesn't like him? What if he learns TOO MUCH!?!
Sprawling across 1.6 million acres of wilderness, Wood-Tikchik is one of the largest state parks in the United States (around the same size as Delaware). Chugach, on the other hand, is an easily reachable state park just miles from downtown Anchorage. Both parks (and their can't-miss sights) are covered here.
Bar, a student who has a lot of growing up to do and is unfortunately also a bit ignorant, needs to study for an exam with Yair, a fellow student of his who just happens to be homosexual, or else risk failure. In the days leading up to the exam Bar doesn't miss a single error in the ways of tact, but manages to learn a lot as well, and not just for the test. Along the way he discovers that he can be physically attracted to another man, when before he wouldn't dare say who is better looking: a movie star or a funny looking old comedian, he stands up for a gay couple - so what if he winds up doing even more damage? And he discovers a new friend, who he finds even intriguing, and so what if he is gay?
With special access to the Library of Congress, rediscover the history and culture of America through rarely seen treasures unearthed from its extensive holdings - the largest in the world.
MOTHERTIME is a personal video diary that takes us on a corporeal journey in parenting via a small portable Go-Pro camera. MOTHERTIME explores the boundaries of time and home to invite the viewer to see the labor of motherhood as neither romanticized nor banal, while it plays in the physical and emotional space between mother and child.
Family of Fear follows an eclectic group of artists, actors, and all around spooks as they come together to make Arx Mortis in Killen, Alabama one of the scariest attractions in the country. They don't do it for money, they do it for scares, and for support and love. Many of the spooks have suffered from bullying, depression, dysfunctional family, and being treated as outcasts. The haunt is their home and the other spooks are their family. Rather than do other "bad things" they take out their aggressions scaring patrons every Halloween and they build each other upper, laugh, cry, and scare as a haunt family. It's scary, funny, and shocking. Join the family of fear.
Constantin Brancusi (1876-1957), the most important sculptor of the first half of the 20th century, has been a fascinating and enduring influence on a generation of contemporary American artists. Insights into Brancusi’s legacy are presented by Carl Andre, Lynda Benglis, Ellsworth Kelly, Martin Puryear, Richard Serra, and Joel Shapiro, with additional commentary on Dan Flavin, Donald Judd, Roy Lichtenstein, Isamu Noguchi,and Claes Oldenburg. In 1995, Anne d’Harnoncourt, Director Emeritus of the Philadelphia Museum of Art, asked Checkerboard to document the PMA’s acclaimed retrospective on Brancusi for the Museum’s archive. The resulting footage became the genesis of the documentary.
Luo Hongwu returns to Kaili, the hometown from which he fled many years ago. He begins the search for the woman he loved and whom he has never been able to forget.
Victoria Robinson seems to have a perfect life. But her unfaithful husband and a sexy younger man with dark motives will lead her into a dangerous game of cat and mouse where she’ll discover that the perfect life comes with a high cost.