How do you put a life into 500 words? Ask the staff obituary writers at the New York Times. OBIT is a first-ever glimpse into the daily rituals, joys and existential angst of the Times obit writers, as they chronicle life after death on the front lines of history.
Based on the true story of acclaimed music icon "Dalida" born in Cairo, who gained celebrity in the 50s, singing in French, Spanish, Arabic, Hebrew, German, Italian, playing in awarded Youssef Chahine's picture "Le Sixième Jour", and who later committed suicide in 1987 in Paris, after selling more than 130 million records worldwide.
A man is tasked with driving his embittered 80-year-old father-in-law cross country to be legally euthanized in Oregon, while along the way helping him rediscover a reason for living.
Dozens of couples dance in a circle, a house topples down a slope, a cat manically revolves around itself. A few seconds beforehand, an admonishing voice points out that a centuries-old philosophical assumption is under close scrutiny. It is René Descartes’ first tenet, »I think, therefore I am,« that the British neurologist Raymond Tallis calls into question in the video by the artist Johan Grimonprez. Tallis takes the view that human consciousness is not an individual construction but exists above all in relation to a vis-à-vis.
A landscape appears assembled in the middle of an empty theatre. Without visible human intervention, a series of disruptive events magically unleash. These (un)natural disasters precipitate the scenography to collapse. As the video continues, the props' remnants left behind appear inexplicably recomposed again. The slow and controlled recording of the events is –just like the course of time in the work– circular.
Grieving her mother’s death and her own failing marriage, Lexi boards a plane from London to Los Angeles in search of the estranged father who abandoned her when she was three years old. Based out of a seedy Hollywood motel, she follows a tenuous trail of breadcrumbs, collecting numbers and addresses in the hopes that one will lead to her father, while establishing unexpected connections along the way.
Alive and Kicking gives the audience an intimate, insider’s view into the culture of the current swing dance world while shedding light on issues facing modern American society.
On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).
Based on the true story of how the unsafe and unregulated disposal of coal ASH led to the deaths of members of a small community. A young, widowed homeowner battles her own ghosts, and a charismatic energy executive who may be her last chance when she is driven to leave her town after devatation.
The Díaz are an influential family who control much of the poultry industry in the island. Arcadio is the family patriarch, an authoritative and conservative man who rules over his family's destiny as he does over the chickens on his farm. Teresa, his eldest, left home during her college years to become an astrophysicist against her father's wishes. Now, after a 7-year absence, she returns home for a few weeks in order to reveal a secret long kept from her family and to invite them to her wedding with Daniela. But, once back, her intentions turn to dust when she finds herself trapped in the family's old habit of lying. No one in the family is as they seem, nor are they willing to unveil their true selves. Within this world of half-truths, Teresa encounters Andrés, her nephew, a boy with Asperger's Syndrome who shares her passion for the stars.
Al-Qaeda in the Islamic Maghreb…Daesh…Boko Haram.** So many extremist movements, of which Africa has become a breeding ground, have declared war against Western values and people. Beyond the misunderstandings that often paralyze us, we have to ask ourselves the real question: **how did we get here?** Filmed in Mali, *RETURN TO BAMAKO* is a deep dive into the land of Islam, seeking to understand the causes and challenges of the threat posed by the rise of radical Islamism to all societies. The Islamist wave did not come about accidentally, but instead is the result of recent history, of which Westerners are the actors, because in the vast majority of cases, it is the failure of a political and economic system, copied or imposed by the West, along with unbridled globalization, which opens a gaping hole and allows the rise of extremism.
Two friends, Susan B. Anthoy and Frederick Douglass, get together for tea and conversation. They recount their similar stories fighting to win rights for women and African Americans.
In the highlands of Tigray - northern Ethiopia - on the edge of the escarpment that descends steeply to the Danakil dessert, Hagos Mashisho and Desta Gidey have toiled and struggled for years to turn the rugged slopes of the East African Rift Valley into fertile ground. They have grown crops here not only to feed themselves and their family, but also to share with others, in particular the pilgrims who regularly pass by on their way to the monastery of Gundagundo. Touched by the kindness of their hosts, the pilgrims have given them the biblical names "Abraham" and "Sarah". The film explores the work ethos and grace of these Tigrean farmers: the cheerful mood with which they do what needs to be done; the devotedness to the tasks at hand; the coordinated movements of humans and animals as they work when ploughing, sowing, harvesting, threshing; - and finally those moments of invocation when the dependence on nature and the transcendent are acknowledged.
Follows the struggles of Stefonknee Wolscht, a trans woman trying to rebuild her life. Losing her home and her family, Stefonknee gives a first hand account of the many challenges trans people face. In her hometown, Stefonknee was known as a loving husband and father, a really good mechanic and a staunch Catholic but only she knew the truth; that she had been assigned to the wrong gender.
Nine top physicists (Nima Arkani-Hamed, Claudia de Rham, Freeman Dyson, Scott Tremaine, Tony Leggett, Justin Khoury, David Politzer, Joanna Haigh, Paul Steinhardt) share valuable, candid advice to young and aspiring students who are motivated to become scientists.