Dorottya is a young Hungarian actress with a burning desire: to make it on the English stage. Legendary actor, Sir Michael Gifford suffers from an incurable disease, and has one desire: be left alone. When Dorottya becomes his carer they both hope their wish will be fulfilled.
Jake is a quiet, sensitive middle schooler with dreams of being an artist. He meets the affably brash Tony at his grandfather's funeral, and the unlikely pair soon hit it off. The budding friendship is put at risk, however, when a rent dispute between Jake's father, Brian, and Tony's mother, Leonor, threatens to become contentious.
One man does all he can to veil his Asian heritage; the other takes great pains to hide his sexual orientation. Both of these things begin to change when Ryan is hired to prepare film star Ning for a fashion shoot, and the men develop a bond.
The Porn Factor takes viewers on a journey of discovery, from regional and urban Australia to the centre of the international porn industry in Los Angeles and back. Through candid interviews with young people, experts and porn industry professionals, The Porn Factor explores how pornography is shaping young people's sexual expectations and experiences. It brings into compelling focus the 21st century challenges faced by parents, schools and others as they seek to equip young people for a sexuality that is safe, respectful and fully consenting.
Embrace follows body image activist Taryn Brumfitt's crusade as she explores the global issue of body loathing, inspiring us to change the way we feel about ourselves and think about our bodies.
The Arab Spring in Paris: Head over heels in love, Marwann, aged 14, hopes to win over Sygrid by cleverly re-inventing himself as a revolutionary. Questions of identity arise in this romantic tale of first love
Inspired by the woman who edited "Man with a Movie Camera" (1929), "Woman with an Editing Bench" reveals the personal impact of Stalin’s censorship of cinema on a woman navigating politics, bureaucracy and the impetuous outbursts of collaborators to create something beautiful despite the odds.
8-year old Joshua has never left his home for dangerous creatures live outside their isolated farmhouse - the Gorgers. But when his father Aaron mysteriously disappears Joshua is forced to go outside. A decision that will change his life forever for something is closing in on the little boy. Fast.
During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia's Indigenous history in the unadorned words of those who lived it.
When a brave high school student takes a stand against state-mandated BMI tests of her peers, she finds herself in the middle of a heated national controversy, sparking a battle of wills between herself and government officials.
Director-producer Andrew Wiseman began filming Richard and his family in 1989, making the documentaries Driving with Richard (1992) and Wonder Boy (2001) before On Richard's Side - the culmination of his 27-year project. Richard was born with a complex disability. He needs 24-hour care, seven days a week. Now in her early sixties, his mother Deirdre is apprehensive about her son's future. She is determined to build a circle of friends and carers for Richard, and to find him sustainable long-term accommodation. Wiseman's intimate documentary, enriched by Deirdre's impassioned voice, reveals just what it means to care for someone who needs care for life.
The Fall tells the remarkable story of a South African barefoot runner, an American track-and-field prodigy, and the events behind one of the most memorable moments in sporting history – the 1984 LA Olympics. The film charts two journeys, from rural South Africa under apartheid and the rolling hills of Southern California, to the starting line of the women’s 3,000 metres. It uncovers a tale of betrayal and exploitation, of the blurred lines between politics, media and sport, and of the dedication and sacrifice required to compete at the highest level. It’s a story that split governments and divided nations, but at its heart is a tale of two young women who, despite the turmoil in their lives, just wanted to run.
In the age of social media, nearly every day brings a new eruption of outrage. While people have always found something to be offended by, their ability to organize a groundswell of opposition to – and public censure of – their offender has never been more powerful. Today we're all one clumsy joke away from public ruin. Can We Take A Joke? offers a thought-provoking and wry exploration of outrage culture through the lens of stand-up comedy, with notables like Gilbert Gottfried, Penn Jillette, Lisa Lampanelli, and Adam Carolla detailing its stifling impact on comedy and the exchange of ideas. What will the future will be like if we can't learn how to take a joke?
HOMO SAPIENS is visionary documentarian Nikolaus Geyrhalter's exploration of the finiteness and fragility of human existence, the end of the industrial age, and what it means to be a human being. What will remain of our lives after we're gone? Empty spaces, ruins, cities, increasingly overgrown with vegetation, crumbling asphalt: the areas we currently inhabit, now abandoned and decaying, gradually reclaimed by nature. Comprised of a succession of eerily depopulated, dystopian landscapes from across the world, HOMO SAPIENS offers an at once mesmerizing and chilling vision of what a posthuman future might look like.
Poland, 1990. The first euphoric year of freedom, but also of uncertainty for the future. Four apparently happy women of different ages decide it's time to change their lives, and fulfill their desires.
Four teenage boys devote their summer to escaping the streets of Cleveland, Ohio, by pursuing a dream life of professional skateboarding. But when they get caught in the web of the local queenpin, their motley brotherhood is tested, threatening to make this summer their last.
In 1951, Marcus Messner, a working-class Jewish student from New Jersey, attends a small Ohio college, where he struggles with anti-Semitism, sexual repression, and the ongoing Korean War.