An in-depth feature length documentary of one of America's greatest and least understood authors, Nelson Algren. This never before told compelling life story reveals a unique literary voice through rare interviews, archival footage and the gritty noirish voice of Algren on Algren. Kurt Vonnegut and Studs Terkel, literary giants in their own right, sing songs of praise along with many of his old friends, which makes this film seem like a hymn from the grave. This stylishly produced film embeds us in the 1950's cold war world when Algren worked. Algren's touching love affair with Simone de Beauvoir weaves it's way through the film along with the damaging impact of FBI and CIA surveillance.
Homeboy Industries, the world's largest gang intervention and re-entry organization, offers an unparalleled 18-month job-training program for recovering drug addicts and ex-gang members. The short documentary HOMEGIRLS intimately follows the lives of two of the programs' female participants, Maria and Joselyn, over four months as they attempt to leave the past behind and start anew.
After the coup d’état in 1973, employees at the Vicariate for Solidarity began the risky road to save the lives of the prosecuted and find the fate of the detained. With time, they understood there was a politics of extermination in place against the dissidents, and that, in order to decipher its functioning and those directly responsible, they had to turn into a sophisticated intelligence team.
Danny, a Taiwanese-American man, and his partner Tate want to have a baby, but the complex world of international surrogacy is further complicated by Danny's well-meaning but extremely meddlesome mother.
With his 20th reunion looming, Dan can’t shake his high school insecurities. In a misguided mission to prove he’s changed, Dan rekindles a friendship with the popular guy from his class and is left scrambling to protect more than just his reputation when a wild night takes an unexpected turn.
The world knows Paul Newman as an Academy Award winning actor with a fifty-plus year career as one of the most prolific and revered actors in American Cinema. He was also well known for his philanthropy; Newman's Own has given more than four hundred and thirty million dollars to charities around the world. Yet few know the gasoline-fueled passion that became so important in this complex, multifaceted man's makeup. Newman’s deep-seated passion for racing was so intense it nearly sidelined his acting career. His racing career spanned thirty-five years; Newman won four national championships as a driver and eight championships as an owner. Not bad for a guy who didn't even start racing until he was forty-seven years old.
Straight-arrow policewoman Cooper is excited and thrilled about her next assignment. Her task is to escort Daniella Riva, a wisecracking Colombian beauty, from San Antonio to Dallas so both she and her husband can testify against a drug lord. Plans go awry when Mr. Riva gets ambushed, leaving Daniella a widow. Cooper and her witness must now use their wits to escape from crooked cops and murderous gunmen, while not killing each other in the process.
A documentary about Caroll Spinney who has been Sesame Street's Big Bird and Oscar the Grouch since 1969. At 78-years-old, he has no intention of stopping.
Elisabeth aka "Sissi", dazzles Franz. Her mother wishes to marry him to her sister. Torn between her house and palaces, she does not follow court rules. She wants to win over her future mother-in-law. She always has the support of Franz.
Comedy that takes the audience on a pub crawl around the seaside town of Hastings with its ensemble of fun and kooky characters as they tackle everyday life.
A year in the life of Alice Klieg, a woman with Borderline personality disorder who wins the Mega Millions lottery, quits her meds and buys her own talk show.
The great French actor, Marcel Dalio, who has the lead role in Jean Renoir's THE RULES OF THE GAME, also appears in Renoir's GRAND ILLUSION. In both films he plays a character who is Jewish, as Dalio was in real life. In fact, in most of the French films he's in the 1930s, he almost always plays shady characters, informers, blackmailers and gangsters. In other words, he is always "the Jew." When the Nazis invaded France in 1940, he fled to America and appeared in CASABLANCA and TO HAVE AND HAVE NOT. In America, he was no longer the Jew but The Frenchman. He became, in dozens of films, America's idea of a typical Frenchman. His film career has these two strands in which he has two different identities. Are you defined by other people and their perceptions of who you are? Are you always a creation of the way people want to see you? Or can you exist outside of the arbitrary boundaries which are placed on you?
A video essay exploring the frequency and meaning of that particular prop in a wide variety of Sirk movies. Is it a device that traps and keeps women in an artificial world with a limited point of view? Or is it a gateway to the past and the future, and a distorted but nevertheless real vision of the roles that woman are forced to play in society? It's an exploration of the texts and subtexts of commercial films and the subterranean and complicated ways that they affect us and can be read.
Stars of the 1940s and 1950s, were they cast for their mutual affinities or for their commercial appeal? If and when they were re-starred years later, did the magic still work? Did sparks still fly? The movie business, a machine that manufactured romance and desire at the same time that it documented the process of aging. A meditation on youth and beauty, aging and box office.
Between 1900 and 1920 more than 14 million immigrants arrived in the US, like Howard Zinn's parents. They came fleeing poverty or war, or racism, or religious persecution. They dreamed of a promised land, of wealth, or simply of a better life.
The story is set in Palestine in 1947, during the British mandate period. The Zionists are fighting for the establishment of a Jewish state, and four comrades in arms pressure the young Elisha to overcome his moral qualms and fully commit to the armed struggle.