After the atomic obliteration of Hiroshima and Nagasaki, over 36,000 Australian men and women, part of the British Commonwealth Occupation Force (BCOF), marched onto Japanese soil. They were assigned the toughest and most dangerous area of Japan: Hiroshima Prefecture, which included the atom-bombed city. The Forgotten Force tells for the first time the story of Australia's role in Japan. Rare archival and private footage, photographs and eyewitness accounts from both sides vividly recreate the atmosphere of post-war Japan - the horror of Hiroshima and its aftermath; the struggle to build a new "democratic" society while under the heel of military rule; the growth from suspicion and fear to friendship and trust between foes.
In Aparecida, 50 Km from o’Porto, the atmosphere surrounding this years preparation of the yearly festivities is tense: the new priest aims to discouraje the "Promise payers" from doing it having themselves carried in open coffins through the village untill th chappel of the Appeared Lady.
Superstition against Theological Argument, fidelity to the vows or reinterpretation… The conflict becomes unavoidable. It’s the local identity and its inhabitants identity that’s in stake.
If this type of processions were common in the last century on the north of the Iberian Peninsula, this one, will probably be the last in Portugal.
At the village of Senhora Aparecida the festivities of August are set.
The main wooden bier that will carry the Saint may be 15 metres high. It is now being assembled and decorated.
Those who escaped death now celebrate life.
The Lady redistributes the power she's been given.
A haunting documentary on the pains of growing up male. It explores the inner and outer cruelties that boys perpetrate and endure. The film provokes the viewer to reflect on how our society can deprive boys of wholeness.
A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
The glories of Ancient Rome are explored in ROMAN CITY, based on David Macaulay's acclaimed book. This animated and live-action video recounts life in Verbonia, a fictional city in Gaul. A well-planned town with all modern conveniences, it is threatened by conflict between conquerors and conquered. Macaulay also visits Pompeii, Herculaneum, Ostia, Nimes, Orange, and Rome, to view actual Roman architecture and engineering greatness.
Jeanne d'Arc has succeeded in lifting the siege on Orléans and Charles VII has been ordained King of France. However, she is injured in her failed attempt to take Paris, weakening her position at court. When she is finally captured and put on trial, she finds both her life and the sanctity of her body at stake.
Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.
A documentary about actor Michael Caine. Narrated by Caine himself, it includes interviews of his family, friends and colleagues and clips from some of his films.
Performance artist, Carmelita Tropicana, lives in Manhattan's East Village, by Hamilton Fish Park. After a performance one night, she's mugged by a knife-wielding thief. The next day, in a clash with anti-abortion protesters in front of a woman's health clinic, Carmelita is arrested, along with her lively friend Orchida and her sort-of up-tight and wannabe-wealthy sister, Sophia. They're placed in a cell with another woman, who turns out to be last night's mugger, a down-and-out young woman named Cordelia (Dee). Relationships between each pair of women and among the four of them go through changes as the afternoon passes.
In the early 1970s, a theatre collective - the Australian Performing Group - based itself in a building called the Pram Factory, now synonymous with the people and events that laid the groundwork for a renaissance in Australian culture. The Pram was a ‘scene’, a 24-hour happening, a radical alternative to the mainstream. Those who lived and worked at the Pram expected the world to come to them - and for a while it did. (The building was eventually demolished to make way for a supermarket.)
In a series of small portraits, Gianfranco Rosi depicts life on and along the banks of the Ganges River. The director’s first film documents the boat trip he took along India’s sacred river with his helmsman, Gopal. They pass tourists and locals, witnessing them bathe, work, or meditate. The film captures the imagination of the endless circle of life and death, which is rooted in the lives of the Indian people, and is convincingly manifested in the way they bid farewell to the dead.
This fairy-tale-like drama, based on a 1904 short story by American poet and feminist author Renée Vivien, tells two opposing versions of the same narrative: one told verbally by Pierre Lenoir, a male narrator at a Victorian dinner party; the other told visually through the behavior of an unnamed woman who meets him on a fantasy cargo boat. The intercutting of the two stories creates a tension between the different world views of the woman and the man.
K'Sai Chivit: Threads of Life documents the ancient art form of Khmer silk weaving and its place in Cambodian society today. For over a thousand years, Cambodian weavers have been producing a variety of elegant silks, however current societal hardships Cambodians face have dramatically hindered this production. Organizations like UNESCO have began to take part in the revitalization of Khmer weaving, and have established training programs across the region to increase job opportunities and economic independence.
This retrospective exhibition gives brilliant insight into the artist’s work of the last 4 decades. Credit for this highly sensitive selection of Morris’ work goes to Rosalind Krauss, who curated the exhibition. We invited artist and curator to come back to the Guggenheim Museum for a second look at the exhibition. The filmed walk-through gives a vivid sense of the artist’s progress and documents the views of the artist and Rosalind Krauss, one of the most significant critics of our time.
For centuries Hmong people have lived in the mountains of China and Southeast Asia. They have in more recent history fled Laos as refugees and resettled in the Americas, Australia, and Europe. This documentary was filmed in Chang Khian, a village in the mountains of Northern Thailand. With the traditional, year-long process of transforming the bark of hemp plants into cloth, the complex relationships of men and women are revealed. Women produce the cloth and clothing as the men perform healing ceremonies, settle marriage agreements, and conduct funeral rights. The ready availability of mass-produced, inexpensive cloth combined with the fact that the cultivation of hemp is now illegal has brought the continuation of this traditional practice into question. This film is of great interest to the study of gender and kinship, textiles, traditional crafts, shamanism, and social change.