With candor, humour and courage, a group of African-Canadian women challenge cultural taboos surrounding female sexuality and fight to take back ownership of their bodies. Combining her own journey with personal accounts from some of her radiant, endearing friends, co-director Habibata Ouarme explores the phenomenon of female genital mutilation and the road to individual and collective healing, both in Africa and in Canada.
Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.
A nostalgic and colorful peek behind the pages and personalities of International Male, one of the most ubiquitous and sought-after mail-order catalogs of the 80s and 90s.
The extraordinary life of playwright, singer, actor, composer, and director Noël Coward, who rose from poverty to stardom while keeping his sexuality a secret. Featuring Laurence Olivier, Maggie Smith, Frank Sinatra, Michael Caine and Lucille Ball. Narrated by Alan Cumming. With Rupert Everett as the voice of Noël Coward. Directed by Academy Award Nominee Barnaby Thompson.
Irene is a woman in her thirties with a four-year-old daughter who has just separated from her husband and cannot find her place in the world. Determined to get by at whatever cost, she flees to a remote village in the mountains to try to rebuild her life, with the help of the lush vegetation, omnipresent nature and legends around her.
Havana, spring 1971: The poet Heberto Padilla has just been set free and appears before the Cuban Writers' Union where he pronounces a statement of "heartfelt self-criticism", declares himself to be a counterrevolutionary agent and throws accusations of complicity at many of his colleagues present at the event, among them, his wife. A month previously, his arrest under the accusation of endangering the security of the Cuban state had mobilised prominent intellectuals all over the world, who wrote a letter to Fidel Castro calling for the release of the poet, whose only sin had been to dissent through his poetic work. The writer's mea culpa, the recording of which is shown for the first time to the public, marks the narrative line of a story including the testimonies of Gabriel García Márquez, Julio Cortázar, Mario Vargas Llosa, Jean-Paul Sartre, Jorge Edwards and Fidel Castro.
Seven-year-old Vera lives in the big city but adores spending the holidays in her grandparent’s town and particularly in their deserted tobacco barn. Nieves, a teenager native from there whose father forces her to help out at the family’s land, can’t avoid but feeling caged. The two girls, driven by the sense of adventure and the need to find oneself respectively, will be connected to a magical creature that will change the way they see their own reality.
A curmudgeonly gay dwarf and his unstable, alien-obsessed neighbor are thrown together on an impossible road trip that will alter their strange friendship (and their sense of reality) forever.
From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity's unique obsession with the camera's image and the social consequences that lay ahead.
A fragmented portrait of a moment, a person, and a place, seen through the subjective memories of a young Black girl, Imani, and a rookie police officer, David, who both have wildly different recollections of the same fateful moment in a corner store that will leave their lives altered forever.
Zimbabwe is at a crossroads. The leader of the opposition MDC party, Nelson Chamisa, challenges the old guard ZANU-PF led by Emmerson Mnangagwa, known as “The Crocodile.” The election tests both the ruling party and the opposition – how do they interpret principles of democracy in discourse and in practice?
In 1975, in Northern California, a diverse crew of skateboarders met at a paved embankment under the freeway. They had no idea their underground movement would have a global impact on the world of skateboarding. Their story has never been told. Until now. In 2011, the N-Men’s founder, John O’Shei, finally gave permission to filmmaker James Sweigert to tell their story. Sweigert spent 11 years digging through attics, basements and garages unearthing 86 minutes of never before seen footage and photos of the undocumented Northern California skate scene.
Detective Ma Seok-do changes his affiliation from the Geumcheon Police Station to the Metropolitan Investigation Team, in order to eradicate Japanese gangsters who enter Korea to commit heinous crimes.
Madagascar, at the turn of the 1960s and 1970s. On an air base of the French army, the soldiers live the last carefree years of colonialism. Influenced by his readings of Fantômette, Thomas, a child who is not yet 10 years old, gradually forges a look at the world around him.
‘Hands up, it’s a holdup!’ – is what two women who decided to rob a bank could have shouted. But they took the money without uttering a word, got into a convertible and darted away. This story begins like an enhanced version of ‘Thelma and Louise’; however, it progresses towards a completely different, unexpected finale.
A "documentary" following Hippo, a full-time mime. A portrait of how his love life, friendships and quest to be accepted by society in a world where he is at a loss for words.
Lera has been living in Berlin for almost a year after the start of the war in Ukraine. Lera does not feel well in Berlin and makes an impulsive decision to go to Kyiv, for the first time during the war. On the way to Kyiv, she learns that her family is not in Kyiv, and will come only the next day. Therefore, she meets her friend Kyryl, with whom she spends the day, as she used to before the war. In the morning, Lera meets her mother and sister, and finally feels at home. But she still doubts whether she will stay in Kyiv or go back to Berlin.
In the year before he retires, Gregor Weber, a globally renowned Vermeer expert and flamboyant curator at the Rijksmuseum in Amsterdam, works on his big dream: the largest Vermeer exhibition ever. Together with Weber, a number of enthusiasts and experts go in search of what truly makes a Vermeer a Vermeer.
The slogan “Meet the icons of modern art” needs to be scraped off the glass wall of the Stedelijk, Amsterdam’s modern art museum. Because precisely who the icons of modern art are is very much the question. Who gets to decide? And who loses out? In 2019, as director Sarah Vos started shooting her documentary, more than 90 percent of art at the Stedelijk was made by white men. That’s got to change, the museum’s director Rein Wolfs believes. But this is easier said than done—so much becomes clear when Vos follows Wolfs and his team as they strive for greater diversity in the collection, as well as among their staff.