A small boy's enchantment with a city's snowfall has him making snow angels and snowballs, sliding down snow mountains - and looking forward to going outside again.
Three separate sequences related to Christmas, animated in different styles: cutout animation of children dancing in the snow to "Jingle Bells," stop-motion animation of toys come to life, and cel animation of a man who seeks the ideal star to top his Christmas tree.
Look Who’s Driving: A super-rare UPA educational film from 1954 directed by Bill Hurtz (The Unicorn in the Garden) and designed by Bob Dranko. There’s nothing revolutionary about this short but it’s a superb bit of stylishly designed Fifties animation.
In this Oscar-winning short film, Norman McLaren employs the principles normally used to put drawings or puppets into motion to animate live actors. The story is a parable about two people who come to blows over the possession of a flower.
Heckle and Jeckle, wearing pith helmets, are riding their flying carpet over Egypt. They come in for a landing near a likely pyramid, and decide to investigate.
The big bad cats are the villains/Indians, and the little mice are the settlers going west in their little covered wagons, and the Indians are on a rampage about it. Things look dark indeed for the settlers when the likes of Buffalo Bill, General Custer and Daniel Boone are unable to defeat the attacking cats but...wait...up in the sky...here comes the singing, flying mouse...Mighty Mouse. Not recommended for Revisionists.
It's midnight in a graveyard. The principal characters are spooks, ghosts, bats, bells, and, at the end, the sun. As midnight strikes, 12 spooks appear, then two ghosts. They move to the music's rhythm. Against the black night, they are blue and yellow. Bats appear as does a xylophone of bones. Mist rises, spooks swirl. A bell tolls. The sky turns light blue, the ghosts' dance slows. Then black night returns bringing intimations of frenzy. Bones play snare drums; spooks peek out of square graves. Scary faces appear. Frenetic movement takes over. A rooster crows and all return to earth as the sun's light appears.
Gulliver washes ashore on Lilliput and attempts to prevent war between that tiny kingdom and its equally-miniscule rival, Blefiscu, as well as smooth the way for the romance between the Princess and Prince of the opposing lands. In this he is alternately aided and hampered by the Lilliputian town crier and general fussbudget, Gabby. A life-threatening situation develops when the bumbling trio of Blefiscu spies, Sneak, Snoop, and Snitch, manage to steal Gulliver's pistol.
In this Eric Porter animation of ‘the grasshopper and the ant’ fable, Willie Wombat lazes and plays all summer. He laughs at his animal mates devoting time to collecting and depositing food in their local bank. Winter arrives and Willie, starving and cold, tries to withdraw food from the bank. The teller can find no record of any deposits for Willie. Dejected, Willie looks on as the other animals eat heartily and stay warm in their cosy homes. Willie collapses from hunger in the snow, but his friends come to the rescue just in time. The following summer Willie, having learned his lesson, deposits food in the bank with dedication and enthusiasm.
Parabola is a celebration of film’s ability to create new ways of seeing the forms around us. Creating juxtapositions between light/shadow, stasis/motion, and form/music, this black-and-white short invites us to see the parabolic curve, or “nature’s poetry,” as both invigorating and beguiling.
In this classic fable, a hen asks help with chores from other farm animals. None of the animals want to help do work, but they all want to share the fruits of the hen's labor.