In the kingdom of animals, Master Fox is used to trick and fool everyone. So the King, the Lion, receives more and more complaints about him. He orders that Master Fox is arrested and brought to him.
It's midnight in a graveyard. The principal characters are spooks, ghosts, bats, bells, and, at the end, the sun. As midnight strikes, 12 spooks appear, then two ghosts. They move to the music's rhythm. Against the black night, they are blue and yellow. Bats appear as does a xylophone of bones. Mist rises, spooks swirl. A bell tolls. The sky turns light blue, the ghosts' dance slows. Then black night returns bringing intimations of frenzy. Bones play snare drums; spooks peek out of square graves. Scary faces appear. Frenetic movement takes over. A rooster crows and all return to earth as the sun's light appears.
Gulliver washes ashore on Lilliput and attempts to prevent war between that tiny kingdom and its equally-miniscule rival, Blefiscu, as well as smooth the way for the romance between the Princess and Prince of the opposing lands. In this he is alternately aided and hampered by the Lilliputian town crier and general fussbudget, Gabby. A life-threatening situation develops when the bumbling trio of Blefiscu spies, Sneak, Snoop, and Snitch, manage to steal Gulliver's pistol.
In this Eric Porter animation of ‘the grasshopper and the ant’ fable, Willie Wombat lazes and plays all summer. He laughs at his animal mates devoting time to collecting and depositing food in their local bank. Winter arrives and Willie, starving and cold, tries to withdraw food from the bank. The teller can find no record of any deposits for Willie. Dejected, Willie looks on as the other animals eat heartily and stay warm in their cosy homes. Willie collapses from hunger in the snow, but his friends come to the rescue just in time. The following summer Willie, having learned his lesson, deposits food in the bank with dedication and enthusiasm.
A dance of shapes. A title card tells us this is an experiment in conveying the mental images of music in a visual form. Liszt's "Second Hungarian Rhapsody" is the music. The shapes, all two-dimensional, are circles primarily, with some squares and rectangles, and a few triangles. The shapes move rhythmically to the music: receding from view or moving across the screen. Red circles on a blue background; light blue squares; white rectangles. Then, a red background of many circles with a few in the foreground. Red gives way to blue then to white. Shapes reappear as Liszt's themes re-occur. Then, with a few staccato notes and images, it's over.
Parabola is a celebration of film’s ability to create new ways of seeing the forms around us. Creating juxtapositions between light/shadow, stasis/motion, and form/music, this black-and-white short invites us to see the parabolic curve, or “nature’s poetry,” as both invigorating and beguiling.
In this classic fable, a hen asks help with chores from other farm animals. None of the animals want to help do work, but they all want to share the fruits of the hen's labor.
Mussorgsky's composition is the soundtrack for this pin-screen animated take on night and wild things. A scarecrow blows down, clouds move by quickly. Beings take shape; a town appears, animals flee, and a horse gallops by. A child looks on. Monsters run and float by: the phantasmagoric is everywhere. A woman's figure tumbles through space. A clash ensues. The horse falls. Goblins take control. The night and its denizens are relentless. Forms appear and become grotesque. Will dawn and calm ever come?
A commercial promoting the Czech Brouk and Babka department store and its branches in Czech towns Prague, Pilsen, Ostrava and České Budějovice. Felix the Cat sails the sea as a cabin boy, and the boat founders even though Felix and the captain spot the upcoming storm in time. The two survivors are captured by a local tribe of cannibals; they are imprisoned and seem to face death. Yummy Yum, the king of the cannibals, however, has a conceited daughter Ufrfina and decides to reprieve the two captives in order to meet her wishes, as well as the wishes of his subjects - only the men have to buy themselves out by the things from the list submitted by the cannibals. The desperate captives have no idea where to get so many things so fast. A magician hears their weeping. He conjures them two beetles who get them everything the cannibals crave. Felix wonders at this and the beetles confess to owning the Brouk and Babka department stores where everything is available.