The Westward movement — and a woman's perspective of that movement — emerges in the dramatic story of Delilah Fowler's first year on the Kansas frontier in 1869. Based on diaries of the period, the program reveals the cruel violence, and even crueler loneliness, which early settlers encountered — but above all, it shows the quiet courage of those who lived it.
A retired professor of American origin lives a solitary life in a luxurious palazzo in Rome. He is confronted by a vulgar Italian marchesa and her lover, her daughter and her daughter's boyfriend, and forced to rent to them an apartment on the upper floor of his palazzo. From this point on his quiet routine is turned into chaos by his tenants' machinations, and everybody's life takes an unexpected but inevitable turn.
It has been fifteen years since the death of her father, Agamemnon, and Elektra still burns with hatred for Aegisztosz, who conspired with Elektra's mother to kill him.
Rainer’s landmark film is a meditation on ambivalence that plays with cliché and the conventions of soap opera while telling the story of a woman whose sexual dissatisfaction masks an enormous anger.
The story of acerbic 1960s comic Lenny Bruce, whose groundbreaking, no-holds-barred style and social commentary was often deemed by the establishment as too obscene for the public.
The film follows Kaspar Hauser (Bruno S.), who lived the first seventeen years of his life chained in a tiny cellar with only a toy horse to occupy his time, devoid of all human contact except for a man who wears a black overcoat and top hat who feeds him.
Three friends navigate mid-life crises: a blocked writer, a disillusioned doctor, and a charming man facing bankruptcy and divorce. As their struggles strain friendships, a younger man captures the attention of one friend's wife, complicating their lives further.
On a beach in Nice, François meets the mysterious Peggy and falls in love with her. Following her to a villa, he meets Marc, a lawyer who has a strange relationship with the girl.
Four erotic tales from in various historical eras. The first, 'The Tide', is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, secluded from prying eyes. 'Therese Philosophe' is set in the nineteenth century, and concerns a girl being locked in her bedroom, where she contemplates the erotic potential of the objects contained within it. 'Erzsebet Bathory' is a portrait of the sixteenth-century countess who allegedly bathed in the blood of virgins, while 'Lucrezia Borgia' concerns an incestuous fifteenth-century orgy involving Lucrezia, her brother, and her father the Pope.
Eduard and Charlotte live an isolated and idyllic life together. But soon Eduard feels that something is missing and he invites his friend Otto to come stay. Charlotte, meanwhile, decides that her foster daughter Ottilie should come live with them. Complex and passionate relationships between the four people begin. Based on Goethe's novel of the same title.
In this animated version of Charles Dickens' classic novel, we see the story of young Oliver Twist, a boy orphaned at birth and left to grow up under the cruel tutelage of Mr. Bumble, the local parish beadle.
Despite mixed emotions, Frederick Winterbourne tries to figure out the bright and bubbly Daisy Miller, only to be helped and hindered by false judgments from their fellow friends.
Biarritz, 1933. Charm and talent help small-time swindler Serge Alexandre, alias Stavisky, to bribe his way into the centre of French political power. But when his great scam involving millions gets exposed, he brings the government to the verge of collapse and the country to the brink of civil war.
Monique is dying of cancer, lying in bed in the apartment above the store her family owns. Her philandering husband carries on with life, her son remains aloof, and her daughter-in-law wonders if she is witnessing her own decline. They all struggle to express, or feel, their love for one another.
In Rappaport’s dazzling and bizarre feature-length debut, he focuses on states of imaginative possession and dispossession, demonstrating how impossible it is to separate fantasies, dreams, and realities.