Friel contrasts Gar's cloistered emotional life with his gregarious social persona by portraying him as two distinct characters, a public self (Donal McCann) and a private self (Des Cave).
Record executives want a highly-regarded record producer to focus on a white pop act whom they feel has the sound America wants. To keep his creative integrity, Buckmaster carefully begins to fight the system that has made him the respected producer he has become.
Johann Wolfgang von Goethe (1749-1832) was the author of Werther, the romantic novel that was transformed into a play during Goethe's lifetime and which initiated the whole German romantic movement. The book's story tells of young love and suicide. In this East German film, based on a book by Thomas Mann, Lotte (Lilli Palmer) was the woman who served as the model for the heroine in the novel Werther. She comes to Goethe's hometown for a visit, and her experiences there eerily re-create episodes from the book. Goethe comes across as a pompous old bore, and his friends as pandering sycophants, in this very proper communist party-sponsored, anti-heroic movie.
A film version of Genet's play. Two maids, Solange and Claire, hate their employers and, while they are out, take turns at dressing up as Madame and insulting her.
In a crowded hotel in the center of Milan a bomb has been planted. The time device on its detonator has only minutes to run. A young detective discovers the bomb by accident and is drawn into a terrifying nightmare of intrigue, brutality and ruthless killing. This is a world where human life is sold or sacrificed for twisted ideals. A world of international terrorism. The time is now.
Set in the year 2024 in post-apocalyptic America, 18-year old Vic and his telepathic dog, Blood, are scavengers in the desolate wilderness ravaged by World War IV, where survivors must battle for food and shelter in the desert-like wasteland. Vic and Blood eke out a meager existence, foraging for food and fighting gangs of cutthroats.
In a Yorkshire mining town, three educated brothers return to their blue-collar home to celebrate the 40th wedding anniversary of their parents, but dark secrets come to the fore.
When struggling pianist Michael lands a job at the legendary Continental Baths in NYC, his wife Tracy encourages him, emphasizing how special the institution is. Michael, however, struggles with his own homophobia, yet at the same time, starts developing feelings for his confident and sexually free co-worker, Scotti.
A middle-aged woman finds herself simply a widow, a grandmother and a person when a friend takes her to the Stardust Ballroom, a dance hall which recreates the music and atmosphere of the 1940s. There she encounters a most unlikely Prince Charming, a middle-aged mailman. With this encounter, life takes on a new meaning for the film's heroine.
Three attendees at a puppet theater don various roles in order to sing a variety of songs by Jacques Brel, all while hippies and other eccentrics cavort about them.
Challenged by a new student, tutor and theorist Galileo co-opts emerging telescope technology and discovers irrefutable proof of the heretical notion that the earth is not the center of the universe. But in a rigid society ruled by an uneasy alliance of aristocracy and clergy already undermined by the Plague and the Reformation, science is a threat and enlightenment is a luxury. Faced with either death at the hands of the Inquisition or recantation to a hypocritical but all-powerful Papacy, Galileo must choose between his own life and the restless scientific curiosity that he has spurned family, friends, and wealth to pursue.
Arthur Goldman is a rich Jewish industrialist, living in luxury in a Manhattan high-rise. He banters with his assistant Charlie, often shocking him with his outrageousness and irreverent musings on aspects of Jewish life. Nonetheless, Charlie is astonished one day when Israeli secret agents burst in and arrest Goldman for being a Nazi war criminal. Whisked to Israel for trial, Goldman forces his accusers to face, not only his presumed guilt, but their own.
Turkish migrant Husseyin spends his days in hypnotic routine as a “guest worker” in ‘70s West Berlin, living in a small, shared apartment and commuting daily to his job at a factory pressing machine parts. Diligently saving up his wages he hopes to one day marry and buy a house back home, but his immediate future in Berlin is clouded by indignities at the hands of racist coworkers and botched attempts at romantic intimacy.
The Westward movement — and a woman's perspective of that movement — emerges in the dramatic story of Delilah Fowler's first year on the Kansas frontier in 1869. Based on diaries of the period, the program reveals the cruel violence, and even crueler loneliness, which early settlers encountered — but above all, it shows the quiet courage of those who lived it.
A retired professor of American origin lives a solitary life in a luxurious palazzo in Rome. He is confronted by a vulgar Italian marchesa and her lover, her daughter and her daughter's boyfriend, and forced to rent to them an apartment on the upper floor of his palazzo. From this point on his quiet routine is turned into chaos by his tenants' machinations, and everybody's life takes an unexpected but inevitable turn.
It has been fifteen years since the death of her father, Agamemnon, and Elektra still burns with hatred for Aegisztosz, who conspired with Elektra's mother to kill him.
Rainer’s landmark film is a meditation on ambivalence that plays with cliché and the conventions of soap opera while telling the story of a woman whose sexual dissatisfaction masks an enormous anger.