After being sent to a youth detention centre, 18-year-old Andrej has to fight for his place within the group of inmates while getting closer to Ċ½eljko, their informal leader, and struggling to keep his repressed secret in the dark.
The budget for the program to colonize Mars was so drastically cut back that settlements never appeared on the faraway planet. Now the only reminder of the ambitious plan is an abandoned base inhabited by a very lonely robot. The silence and tranquility of the red planet is eventually disturbed, however, by a privately-funded Czech crew, whose members have taken on the mission for very different reasons...
When an Australian motorcycle gang leader is released from prison, he finds his former deputy on the cusp of giving control of their lucrative drug trade to a rival gang. When the deal goes south, the ensuing violence threatens to spin out of control as the gangs must contend with external threats and subversion within their own ranks — culminating in a deadly face-off between the heavily-armed crews in this epic and action-packed biker thriller.
Pili lives in rural Tanzania, working the fields for less than $1 a day to feed her two children and struggling to manage her HIV-positive status in secret. When she is offered the chance to rent a sought-after market-stall, Pili is desperate to have it. But with only two days to get the deposit together, Pili is forced to make increasingly difficult decisions with ever-deepening consequences. How much will she risk to change her life?
Two women. One white. The other black. Society mandated they be enemies. The gospel of Jesus Christ required they be friends. On the eve of the death of Joseph Smith, his widow, Emma, is on the brink of destruction. In order to stand with her friend in her darkest hour, one woman, Jane Manning, will need to hear the voice of God once more. Can she hear His voice again? And if so, can she find the strength to abide it?
Vienna, 1937, on the eve of the annexation of Austria into Nazi Germany. The young and inexperienced Franz Huchel begins to learn about both the joys and hardships of life by working as an apprentice to the mutilated war veteran Otto Trsnjek in a small tobacco shop, where he meets the famous psychiatrist Sigmund Freud, a regular customer, who will become a valuable friend in times of chaos and uncertainty.
When Elliot, a brash 23-year-old living carefree in New York City, meets the sensible Mia and receives a damning diagnosis all in the same week, his world is turned completely upside down. But as their love blossoms amidst the chaos of his treatment, they discover that Elliot's illness is not the real test of their relationship – it's everything else.
Marcela’s world becomes strange and unfamiliar after her sister Rina dies. She feels lost in her own house, and her relationship with her husband and children seems to suffer. But when Nacho, a young friend of her daughter’s, unexpectedly drops by, she starts to talk and walk with him. Gradually Marcela begins to have conversations with relatives from another dimension.
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
A sequel to “Li’l Quinquin”. When a strange magma is found near Coincoin’s home town, the inhabitants suddenly start to behave strangely. Goofy detective Captain Van Der Weyden and his loyal assistant Carpentier set about investigating these alien attacks, discovering that an extra-terrestrial invasion has begun.
Detective Yvonne is the widow of police chief Santi, a local hero in a town on the French Riviera. When she learns he was in fact a crooked cop, she tries to right his wrongs. Crossing paths with Antoine, a victim of Santi, sets off a series of wild events.
On the outskirts of Birmingham and the margins of society the Billingham family perform extreme rituals and break social taboos as they muddle through a life decided by factors beyond their control. At times shocking and laced with an unsettling humor, three episodes unfold as a powerful evocation of the experience of growing up in a Black Country council flat.
Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives. Craving for intimacy yet also deeply afraid of it, they work to overcome old patterns, defense mechanisms and taboos, to cut the cord and finally be free. Touch Me Not looks at how we can find intimacy in the most unexpected ways, at how to love another without losing ourselves.
This fascinating historical drama looks at the life of "the Czech Schindler," Zdenek Toman, a controversial figure who was an unsavory politician and dubious entrepreneur, but also the savior of hundreds of Eastern European Jews.
The story of the adventures, in the twilight of the eighteenth century, of a singular couple formed by a little orphan with mysterious origins and his young Italian nurse of a similarly uncertain birth. They lead us in their wake, from Rome to Paris, from Lisbon to London, from Parma to Venice. Always followed in the shadows, for obscure reasons, by a suspicious-looking Calabrian and a troubling cardinal, they make us explore the dark intrigues of the Vatican, the pangs of a fatal passion, a gruesome duel, banter at the court of Versailles and the convulsions of the French Revolution.
Vastly different lives and perspectives become intertwined after a police officer suffering from reoccurring PTSD mistakenly shoots a deaf African-American kid, exposing layers of racial tension and corruption within the political, judicial and prison system.
Khalil is a young man torn from his roots who lives on the edge of town, where the industrial estates merge into the river and the marshes. Khalil gets by as best he can and spends his time with an old poacher, who shares a house on the riverbank with a brother he hasn't spoken to in years. On the banks of the marshes, the tides mark the time of love and heartbreak, of friendship and revenge.
"I do not care if we go down in history as barbarians." These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.
Nina Geld's passion and talent have made her a rising star in the comedy scene, but she's an emotional mess offstage. When a new professional opportunity coincides with a romantic one, she is forced to confront her own deeply troubled past.