“The three parts developed over a year period of intense study during the mid-1970s. It sort of began and ended my dependency on “high-tech” equipment to make films and led me through the equally intensive parameters of what motion picture film could reproduce on a visceral, detail oriented level. In contrast to the high end 2K digital technology used to restore ‘Manhatta’ and 'Ballet Mechanique', I learned filmmaking decades earlier on a 35mm Oxberry beam-splitter, multi-head, aerial-image bi-pac optical printer. A dinosaur by today’s standards and all hand operated prior to the advent of computer-assists, this machine was precise and exact to the frame. ’S&J: Pt. 3' took 26 hours to shoot straight thru without one mistake.” —Bruce Posner
A young, beautiful career woman rents a backwoods cabin to write her first novel. Attacked by a group of local lowlifes and left for dead, she devises a horrific plan to inflict revenge.
Corporate smuggling of South American killer bees into the United States results in huge swarms terrorizing the northern hemisphere. A small team of scientists work desperately to destroy the threat, but the bees soon mutate into a super-intelligent species that threatens the world.
Petey Wheatstraw is a candidate to become the devil's son-in-law. The storyline is a scaffolding on which Rudy Ray Moore's standup humor can be unfolded. Beginning life as the afterbirth to a watermelon, the young Wheatstraw becomes a martial artist, but is unable to best the evil comedy team of Leroy and Skillet, who also indulge in wholesale murder. Satan restores the comedians' victims to life, and charges Petey with the task of marrying his clock-stoppingly ugly daughter to give him a grandchild. When Petey attempts to default on the deal, he is pursued by the devil's henchmen.
First-time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.
Taking an ill-advised detour en-route to California, the Carter family soon run into trouble when their RV breaks down in the middle of the desert. Stranded, they find themselves at the mercy of monstrous cannibals lurking in the surrounding hills.
After undergoing radical surgery for injuries from a motorcycle accident, a young woman develops a retractable, vampiric stinger in her armpit and a thirst for human blood.
A man is convinced that 11-year old girl, Ivy, is the reincarnation of his own daughter Audrey Rose, who died in a fiery car accident, along with his wife, two minutes before Ivy was born.
An American newcomer to a prestigious German ballet academy comes to realize that the school is a front for something sinister amid a series of grisly murders.
Alice is a withdrawn 12-year-old who lives with her mother and her younger sister, Karen, who gets most of the attention from her mother, leaving Alice out of the spotlight. When Karen is found brutally murdered in a church, suspicions start to turn toward Alice. But could a 12-year-old girl really be capable of such savagery?
A recently-married woman who has been labeled as mentally unstable, begins to suspect that someone close to her is the culprit in a sudden string of murders.
Plot of Fear tells the story of a decadent weekend party full of orgies and drugs on the outskirts of Milan. Inspector Lomenzo investigates a series of bizarre murders, each linked by the fact that pages from the German children’s book "Shock-Headed Peter" have been left at the scene of the crime. As the bodies pile up, Lomenzo is guided by a model and a surveillance expert to a decadent club frequented by the rich and powerful.
A man meets a woman at a deserted railroad station somewhere in northern New England. It is the middle of winter; snow is falling. The two drive to a remote farmhouse. Two strange children, who never speak, appear at the window; an old woman calls them away.